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uragan

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[pljesak]

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ali sam urlao jutro

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ali sve je

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desno

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da

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ali to je pjesma

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dobrodošli u emisiju za doručak

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[Glazba]

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[pljesak]

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[pljesak]

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[Glazba]

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[pljesak]

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stranim

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[Glazba]

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[pljesak]

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[Glazba]

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da odmah

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[pljesak]

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[Glazba]

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[pljesak]

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[Glazba]

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Mislim da je Jumping Jack Flash pjesma

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to se podrazumijeva kako se čulo

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toliko puta melodija bez toga

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kvačica pored njega i visoka ocjena

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na live albumu i jedan je s vremena na vrijeme

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zaobišao

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što želite za najigranije

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živa kamena pjesma

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Bill Wyman bi rekao da je to jedan od njihovih

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najbolje pjesme ikad koje čitaju Jaggera

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Richards

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Osjećam da je vrijeme da ih se riješim

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skini paučinu s ove pjesme i stavi ovu pjesmu

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Back On Top za uživanje u dubokom slušanju

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i zahvalnost kao da je prva

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vrijeme je ponovno čuti

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to je pjesma spremljena za kraj predstave

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kako je vrijeme prolazilo

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s razlogom

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energija i ljubav prema ovoj pjesmi

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strast i odanost još daju

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kad igraju ovo

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kamenje voli ovu pjesmu, istinita je

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adrenalin

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Pustit ću vam neke uzorke uživo

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kroz godine

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a ako ovaj dokumentarac ne pukne

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ti iz toga onda se nadam da si bio tamo

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već

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pravilo broj jedan

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ne dopustite da ova pjesma proklizi

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pukotine i provući se uzmi i bježi

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s njima

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zahtjev sotonskog veličanstva je objavljen

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prosinca 67. Deca i London

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u produkciji Stonesa

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prvi album bez Andrewa Lukea

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Oldham glavni

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bio je poput očinske figure

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unatoč tome što je bio njegovih godina i bio je mlađi

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držeći ih sve In Line Andrew bi

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reci da je razlog zbog kojeg bi otišao taj

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mislio je da kamenje nije

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koncentriran i također djetinjast

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sada je i sam Andrija bio težak

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zabava i teško opijanje i droga on

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izgubio malo kontrole

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pa u to vrijeme kamenje je bilo unutra

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njihova droga Frenzy

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tijekom tog sotonskog vremena i to je bilo

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ishod

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bez Andrije

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mnogi bi ga nazvali remek-djelom

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a mnogi bi ga mogli uzeti ili ostaviti

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i vjerovao bi da ne predstavlja

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kamenje

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sada ostavivši njihovu snagu

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i napravili ovaj album koji bi htjeli

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vratiti i vratiti im fokus

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sada ih je Deca pritiskao i htjeli su

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objaviti novi set Stoneovog materijala

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htjeli su novi singl

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davno je trebalo sada Beatlesi i

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Emi u 67. izdali su Jagodu

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Fields i Penny Lane

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to su učinili prvi od ne još

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pustio narednika Peppera sada ulazimo

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u priču o singlu Jumping

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Jack Flash

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bila je namijenjena novom albumu

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ali entuzijazam je bio tako velik

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singl je izbačen kao i ja svoj

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istraživanje ove pjesme

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i gledao sam iz svih kutova koje sam mogao

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jedina stvar koja se isticala bila je

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interpretacije pjesme postoje tako

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mnogo načina na koje su ljudi gledali na ovo i

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pogledao tekstove Deep

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i što im je to značilo

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neki od njih su išli ovako

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meso je krv a plin je heroin

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ubrizgavanje

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Spike through je kada uđe heroin

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mozak i onda je uzbuđenje plin

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plin

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priča o svakome tko je prevladao teret i

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poteškoće u životu, Jack kaže da je to

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sada je dobro, ali nije bilo u prošlosti

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kad uzmeš morfij povraćaš poznato

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kao treptanje loše stvari su se dogodile, ali je

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u redu sada

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destruktivan put za nevine ljude

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zašto je rat

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čovjek koji će skočiti u akciju kao

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vojnik gas gas

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predstavlja kako se sukob raspiruje

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o nečijem teškom životu i poslije

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smrt uživa u boravku u paklu

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jumping jack bljesne đavo

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ples koji se izvodio u paklu skačući okolo na

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čuvajte noge od vrućine

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ugljena

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Skakanje Jacka Flasha bilo je vježbanje

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davanja tekućeg LSD-a s an

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kapaljka u suznim kanalima

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John F Kennedy JFK s Rose K mama ona

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bio strog s remenom

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treći stih govori o JFK-u i ratu

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i njegovu obuku i službu kao PT

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kapetan čamca

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okrunjen šiljkom kroz moj

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glavu

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bio je zadatak

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gas je limuzina odjurila

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radi se o okrutnom postupanju s Isusom

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oni koji su tukli sve je to

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upravo sada i oprošteno kao što je Isus znao

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bio je Sotona. Nebo će biti sjajno

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pjesma inspirirana Danom Beatlesa

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izletnik

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pa eto

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navodeći samo neke

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pozvati Jimmyja Millera

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ali prije nego što zaronimo u Jimmyja moramo

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znati više o tome tko što gdje i zašto

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i skočiti niz ovu Zečju rupu tako da

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dovodi nas do Chrisa Blackwella, osnivača

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of Island records 1958. napravio je svoj

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put u pop glazbu 64. s Jamajčaninom

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pjevačica 15 godina naslovnica My Boy

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Lollipop by Millie small

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da, znaš ovu

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[Glazba]

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ova pjesma je licencirana za Fontanu

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zapisa

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to je nizozemska etiketa Phillipsa

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sada bi se Chris odvažio za više talenta

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u Londonu

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a 1965. našli biste novu grupu

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mladi talent u londonskom klubu

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s birminghamskim bendom The

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Grupa Spencer Davis

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imali su glavnog čovjeka koji se zvao Stevie

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Winwood tinejdžer

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Steviejev stariji brat muff je svirao

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bas Chris bi odmah prepoznao

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njegov talent i vidjeti da je imao mladog

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Ray Charles ovdje i on bi potpisao

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grupirati odmah

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1965. također za etiketu Fontana

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Grupa Spencer Davis bila je konkurencija

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s kamenjem su se igrali slično

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glazbu bi oba obožavatelja puštala sličnu

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obrade pjesama također

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ono što je vrijedno pažnje je Spencer Davis on

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svirao gitaru i osnovao bi bend

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pod nazivom The Saints

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s basistom po imenu Bill Wyman

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63 on bi u početku formirao svoju grupu

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pod nazivom rhythm and blues kvartet sa

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Stevie Muff i veliki Peter York na

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bubnjevi

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promijenili bi joj ime jer

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Spencer

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bio jedini udoban

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razgovarajući s medijima

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Stevie je imao 15 godina kad su osnovali

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1965. Chris Blackwell bio je u SAD-u

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izviđao je i tražio materijal

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koje može pustiti u UK

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i He Came Upon pjesma koja se zove tamjan

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i tko ga je proizveo i stvorio

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Jimmy Miller

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Chris bi ovo objavio na Fontani u

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UK jer je bio stvarno impresioniran

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djelo Jimmyja

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pjesma je postala uspješna u Velikoj Britaniji

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i sa Spencer Davis Group koja ima

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pitanja uspostavljanja u SAD-u it

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Chris je došao do Jimmyja

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ponovno doći raditi s bendom

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Chris je želio da Jimmy radi na albumu

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daj mi malo ljubavi to je već bilo

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pušten u Ujedinjeno Kraljevstvo, ali on je to želio

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remiksirati za SAD Chris je imao

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uvid i osjetio je da je to stvarno potrebno

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nešto više nešto drugačije biti

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sposobni raditi u Excelu i penjati se na ljestvice

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SAD, pa ovdje je original UK 1966

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verzija daj mi malo ljubavi

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i vokal

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jasno se razlikuju i obratite pozornost

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na bazu i bubnjanje

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[Glazba]

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stranim

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[Glazba]

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[Glazba]

220
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možete čuti magični rad Jimmyja

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i što on donosi pogonsku bazu i a

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lupanje bubnjeva

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[Glazba]

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stranim

225
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[Glazba]

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pa na kraju Jimmy Miller i Stevie

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Winwood bi se upustio u prekrasan

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prijateljstvo

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Jimmy bi čak dobio i neke pjesme

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zasluge kao koautor pjesme I'm a

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čovječe

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sa Stevie Winwood imamo puno toga

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unatrag sad i vidi

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što se tamo događalo u njegovom životu

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toliko povijesti i veza i

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promjene koje se događaju u tom trenutku on

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htio iseliti i proširiti svoju

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talente

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a on je htio napustiti grupu pa je

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učinio u travnju 67. on i još trojica

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formirao malo loš hladni promet

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vrijedna bilješka Dave Mason je bio na cesti

243
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za Spencer Davis Group

244
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i to je bio London koji se zove promet

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jam već ali su se na kraju promijenile

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njihovo ime status quo

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pa nakon snimanja I'm a man

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Stevie je otišao i zamolio je Jimmyja da dođe

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na brodu za produkciju prvog albuma Mr

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Fantazija

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Island records i Chris Blackwell

252
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htjeli su biti veliki i imali su promet

253
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pod njihovim okriljem i podržavao ih

254
00:14:34,079 --> 00:14:37,440
Chris je bio u redu s gospodinom Fantasyjem

255
00:14:37,440 --> 00:14:39,480
snimljeno u Olimpijskim studijima i to je

256
00:14:39,480 --> 00:14:42,300
gdje je Jimmy sada imao svoj novi dom

257
00:14:42,300 --> 00:14:45,480
a Olimpijski studiji bili su Meka u

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00:14:45,480 --> 00:14:48,540
sredinom 60-ih za snimanje umjetnika sličnih

259
00:14:48,540 --> 00:14:51,360
Abby Road imao je vrhunsku tehnologiju i

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ići naprijed, ali najvažnije je da je bilo

261
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neka super skupina talentiranih inženjera

262
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koji su bili izloženi i rade tamo jedan

263
00:15:02,100 --> 00:15:04,680
od njih je bio George jakayans kojeg sam spomenuo

264
00:15:04,680 --> 00:15:06,899
radi s kamenjem

265
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i Brian Jones i toliki drugi ti

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stvarno ga moram potražiti provjeriti

267
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za ono što je obavio dobiva zasluge

268
00:15:16,019 --> 00:15:18,300
razvoj upotrebe postupnog uvođenja

269
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snimke i to je bilo veliko kao što znamo

270
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to je psihodelična glazba i znamo da je Mr

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Fantazija također

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Jimmy bi pomogao oko Mr. Fantasyja

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neke udaraljke također uz

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proizvodeći

275
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sada ću podijeliti priču iz

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inženjer Eddie Kramer i bio je

277
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promatrajući Jimmyja u studiju i

278
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gledajući ga na djelu iz prve ruke i

279
00:15:42,660 --> 00:15:46,440
uvidjevši njegovu veličinu i zašto je bio za

280
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pjesma Dear Mr Fantasy bend je bila

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00:15:49,260 --> 00:15:52,079
postaviti na uspon na jednom kraju

282
00:15:52,079 --> 00:15:55,019
studio nasuprot kontrolne sobe oni

283
00:15:55,019 --> 00:15:57,959
bili su postavljeni kao da su upravo na pozornici

284
00:15:57,959 --> 00:16:00,899
Eddie ih je snimio uživo na četiri pjesme

285
00:16:00,899 --> 00:16:02,880
sada su bili usred snimanja

286
00:16:02,880 --> 00:16:05,160
i to je točno na mjestu pjesme

287
00:16:05,160 --> 00:16:07,800
za Mr Fantasy gdje je tempo

288
00:16:07,800 --> 00:16:08,820
mijenjanje

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00:16:08,820 --> 00:16:11,160
Eddie je pogledao u kontrolnu sobu i on

290
00:16:11,160 --> 00:16:12,959
nisam tamo vidio Jimmyja

291
00:16:12,959 --> 00:16:15,540
sljedeće što vidi je Jimmy kako vuče

292
00:16:15,540 --> 00:16:17,279
dupe preko cijele sobe

293
00:16:17,279 --> 00:16:19,380
skočio je na Riser pokupio

294
00:16:19,380 --> 00:16:22,500
Maracas i natjerali ih da udvostruče tempo

295
00:16:22,500 --> 00:16:25,680
to je Jimmy Jimmy je imao nevjerojatno

296
00:16:25,680 --> 00:16:28,339
sposobnost preuzimanja grupe glazbenika

297
00:16:28,339 --> 00:16:31,260
vježbajte s njima i uvedite ih

298
00:16:31,260 --> 00:16:35,100
studio i neka budu tako uzbuđeni, ali

299
00:16:35,100 --> 00:16:37,740
o tome što će učiniti i

300
00:16:37,740 --> 00:16:40,680
stvoriti i učinio je da se čini zabavnim njegovim

301
00:16:40,680 --> 00:16:43,680
energija je uvijek bila gore uvijek u

302
00:16:43,680 --> 00:16:46,860
bend i natjera čovjeka da vidi i osjeti

303
00:16:46,860 --> 00:16:49,860
pjesmu onako kako je on radio

304
00:16:49,860 --> 00:16:52,620
važno je znati o Jimmyju i

305
00:16:52,620 --> 00:16:55,019
njegove kvalitete

306
00:16:55,019 --> 00:16:58,139
njegovu ostavštinu kao kamenog priložnika i

307
00:16:58,139 --> 00:17:02,699
neophodno je znati o katalizatoru

308
00:17:02,699 --> 00:17:05,100
događao se Jimmy Miller Buzz

309
00:17:05,100 --> 00:17:07,919
u industriji i dobivao je

310
00:17:07,919 --> 00:17:11,400
fast track reputation to Greatness

311
00:17:11,400 --> 00:17:15,919
netko tko je znao kako pronaći žlijeb

312
00:17:16,020 --> 00:17:19,500
Mika je rekao Glennu Johnsu da želi dobiti

313
00:17:19,500 --> 00:17:21,720
novi američki producent

314
00:17:21,720 --> 00:17:24,480
a Glenn nije bio toliko zadovoljan time

315
00:17:24,480 --> 00:17:26,400
ali

316
00:17:26,400 --> 00:17:29,520
rekao je Micku da slučajno postoji dobar

317
00:17:29,520 --> 00:17:33,059
jedan je već ovdje i fantastičan je i

318
00:17:33,059 --> 00:17:35,100
poznajem ga

319
00:17:35,100 --> 00:17:38,100
Glenn je rekao Micku za Jimmyja

320
00:17:38,100 --> 00:17:40,500
a on je taj za kojeg trebaju raditi

321
00:17:40,500 --> 00:17:41,820
sa

322
00:17:41,820 --> 00:17:44,400
Nick je svratio na sesiju da vidi i

323
00:17:44,400 --> 00:17:47,520
promatrati Jimmyja izbliza

324
00:17:47,520 --> 00:17:50,400
Vjerujem iz onoga što sam čitao Jimmy

325
00:17:50,400 --> 00:17:54,480
radio je s Daveom Masonom na glazbi u

326
00:17:54,480 --> 00:17:57,660
kuća za lutke od strane obitelji benda i

327
00:17:57,660 --> 00:18:01,860
onda je došlo to je bila zima 67-68

328
00:18:01,860 --> 00:18:04,140
i ja sam jedne večeri došao kući i moja žena

329
00:18:04,140 --> 00:18:08,220
rekao je med Mick Jagger nazvao i želi

330
00:18:08,220 --> 00:18:11,160
da ga nazoveš ostavio si njegov broj

331
00:18:11,160 --> 00:18:15,299
i samo sam dobio bljesak dok je to rekla

332
00:18:15,299 --> 00:18:19,559
on želi da ih ja produciram i onda ja

333
00:18:19,559 --> 00:18:21,780
vrlo nervozno pozvani Mick reče Jimmy

334
00:18:21,780 --> 00:18:22,980
uh

335
00:18:22,980 --> 00:18:25,380
možeš li navratiti, želio bih razgovarati

336
00:18:25,380 --> 00:18:27,240
tebi o nečemu i pristao sam

337
00:18:27,240 --> 00:18:29,700
svratio do njegove kuće popili smo čaj i

338
00:18:29,700 --> 00:18:33,179
sjedio i razgovarao nekoliko minuta i

339
00:18:33,179 --> 00:18:35,220
rekao je

340
00:18:35,220 --> 00:18:37,320
svidjele su mu se stvari s kojima sam radio

341
00:18:37,320 --> 00:18:39,840
promet i Spencer Davis Group i imao

342
00:18:39,840 --> 00:18:41,820
za neke sam bio svjestan moje produkcije

343
00:18:41,820 --> 00:18:44,480
vrijeme i

344
00:18:44,480 --> 00:18:47,400
rekao mi je da se rastaju ili

345
00:18:47,400 --> 00:18:50,220
je razišao s Andrewom i

346
00:18:50,220 --> 00:18:51,740
s ljudima s kojima su bili

347
00:18:51,740 --> 00:18:54,780
poslovno do tada

348
00:18:54,780 --> 00:18:56,820
a tražili su producenta i

349
00:18:56,820 --> 00:18:59,640
bi me zanimalo je li ovo jednostavno

350
00:18:59,640 --> 00:19:03,179
kao to i imali su materijala za to

351
00:19:03,179 --> 00:19:04,980
vrijeme za album koji je trebao postati

352
00:19:04,980 --> 00:19:06,840
Prosjački banket koji je bio prvi

353
00:19:06,840 --> 00:19:09,539
niz sesija na kojima smo radili i

354
00:19:09,539 --> 00:19:11,760
Mislim da je prva staza

355
00:19:11,760 --> 00:19:14,640
uhvatili smo da se radi o uličnom tučnjavu, ali

356
00:19:14,640 --> 00:19:16,559
prva koju smo završili bila je Jumping

357
00:19:16,559 --> 00:19:19,080
Jack Flash koji je izdan kao singl

358
00:19:19,080 --> 00:19:21,059
prije albuma, tako da je to bio moj prvi

359
00:19:21,059 --> 00:19:24,660
osloboditi kao proizvođača s kamenjem

360
00:19:24,660 --> 00:19:26,880
Stonesi bi svirali Jimmyja neke od njih

361
00:19:26,880 --> 00:19:29,400
ideje za nove pjesme

362
00:19:29,400 --> 00:19:33,000
sada Jimmy uopće nije inzistirao na tome

363
00:19:33,000 --> 00:19:35,820
natjerati ih da napuste psihološki žanr

364
00:19:35,820 --> 00:19:37,559
rekao bi da su već

365
00:19:37,559 --> 00:19:41,039
spreman to učiniti tako da kraj jedne ere

366
00:19:41,039 --> 00:19:43,679
a početak još jednog novog

367
00:19:43,679 --> 00:19:46,919
poglavlje je nastajalo bez ikoga

368
00:19:46,919 --> 00:19:49,260
shvativši što se događa

369
00:19:49,260 --> 00:19:52,380
otvoren je most i htjeli su

370
00:19:52,380 --> 00:19:54,299
prijeći preko

371
00:19:54,299 --> 00:19:57,299
jedna od njihovih najvažnijih pjesama u njihovoj

372
00:19:57,299 --> 00:19:58,380
katalog

373
00:19:58,380 --> 00:20:00,299
da, ima ih nekoliko

374
00:20:00,299 --> 00:20:03,299
ali ovaj bi trebao imati posebno mjesto

375
00:20:03,299 --> 00:20:04,740
u našim srcima

376
00:20:04,740 --> 00:20:07,919
jer predstavlja pravi okus i

377
00:20:07,919 --> 00:20:10,440
smjeru kamo bi kamenje išlo

378
00:20:10,440 --> 00:20:12,780
odavde

379
00:20:12,780 --> 00:20:15,900
agresivniji zvuk koji bi pogodili

380
00:20:15,900 --> 00:20:17,460
Pretjerati

381
00:20:17,460 --> 00:20:19,740
i na kraju bi ostavili puno toga

382
00:20:19,740 --> 00:20:22,919
britanski bendovi iza osim nekih

383
00:20:22,919 --> 00:20:26,520
iznimke posebno The Who

384
00:20:26,520 --> 00:20:29,220
patentirani su i imaju prepoznatljiv zvuk

385
00:20:29,220 --> 00:20:33,240
zabio bi taj čavao čvrsto u Stijenu

386
00:20:33,240 --> 00:20:37,140
u biti ova pjesma je tako čista i

387
00:20:37,140 --> 00:20:40,980
predstavljao Stoneov novi Direction i

388
00:20:40,980 --> 00:20:43,799
gdje i kako bi sada bile istinite kao

389
00:20:43,799 --> 00:20:46,500
gitaristički bend kao što sam ranije spomenuo

390
00:20:46,500 --> 00:20:50,039
ovo je najizvođenija pjesma u

391
00:20:50,039 --> 00:20:52,440
cijeli njihov katalog

392
00:20:52,440 --> 00:20:55,580
s dobrim razlogom

393
00:20:55,740 --> 00:20:59,160
Napravit ću svoju verziju onoga što se dogodilo

394
00:20:59,160 --> 00:21:01,880
tijekom rađanja njihove pjesme od samog početka

395
00:21:01,880 --> 00:21:04,500
završiti

396
00:21:04,500 --> 00:21:07,020
neke od tema za koje sam siguran da ideš

397
00:21:07,020 --> 00:21:08,700
biti upoznat s tim će biti

398
00:21:08,700 --> 00:21:10,320
vama očito

399
00:21:10,320 --> 00:21:14,580
ali ipak moram to spomenuti kako god ti

400
00:21:14,580 --> 00:21:17,820
čut ću neke nove informacije, siguran sam da čujem

401
00:21:17,820 --> 00:21:20,520
morati reći nakon istraživanja točan

402
00:21:20,520 --> 00:21:23,220
vremenska linija koju sam pronašao

403
00:21:23,220 --> 00:21:25,559
bilo malo nejasno

404
00:21:25,559 --> 00:21:27,840
pa ću ga predstaviti najbolje što mogu

405
00:21:27,840 --> 00:21:29,520
kronološki

406
00:21:29,520 --> 00:21:33,600
skočimo u kraj 1967. listopada

407
00:21:33,600 --> 00:21:36,539
Brian je bio na sudu zbog kanabisa

408
00:21:36,539 --> 00:21:40,260
i haš je to priznao ali ne i

409
00:21:40,260 --> 00:21:44,039
posjedovanje kokaina priznao je krivicu i

410
00:21:44,039 --> 00:21:46,980
dobio kaznu od 12 mjeseci i bio je

411
00:21:46,980 --> 00:21:50,159
pušten uz jamčevinu sljedeći dan u iščekivanju

412
00:21:50,159 --> 00:21:51,659
apelirati

413
00:21:51,659 --> 00:21:55,200
pogriješio je što je priznao krivnju

414
00:21:55,200 --> 00:21:57,740
tvrdilo se da je bolestan

415
00:21:57,740 --> 00:22:01,200
bipolarni ali to nije identificirano natrag

416
00:22:01,200 --> 00:22:03,059
onda sigurno

417
00:22:03,059 --> 00:22:05,880
12. prosinca uz Micka

418
00:22:05,880 --> 00:22:09,299
Brian je imao sudsku žalbu i liječnički pregled

419
00:22:09,299 --> 00:22:12,840
dokaze koji su korišteni i spominje

420
00:22:12,840 --> 00:22:14,580
Briane

421
00:22:14,580 --> 00:22:17,460
postajući suicidalan

422
00:22:17,460 --> 00:22:20,460
sad tko točno zna kad je Brian

423
00:22:20,460 --> 00:22:22,919
počeo se raspadati, ali ovo je bio a

424
00:22:22,919 --> 00:22:27,780
dobra poenta, zahvalite se mandrexu

425
00:22:27,780 --> 00:22:30,480
suci su odlučili ne predati zatvor

426
00:22:30,480 --> 00:22:33,419
rečenica, ali umjesto toga isporuči a

427
00:22:33,419 --> 00:22:35,039
trogodišnji uvjetni rok

428
00:22:35,039 --> 00:22:38,460
i novčana kazna od tisuću funti

429
00:22:38,460 --> 00:22:42,120
kako bi potražili psihijatrijsku pomoć

430
00:22:42,120 --> 00:22:45,179
13. prosinca Brian je odveden u

431
00:22:45,179 --> 00:22:48,419
bolnicu nakon što je pronađen bez svijesti u svojoj

432
00:22:48,419 --> 00:22:49,380
stan

433
00:22:49,380 --> 00:22:53,220
to je bilo zbog upotrebe droga i alkohola

434
00:22:53,220 --> 00:22:55,200
vratio bi se na liječenje

435
00:22:55,200 --> 00:22:59,700
centar tako kasno u prosincu 67 Mick i

436
00:22:59,700 --> 00:23:01,980
Marianne odlaze na Bahame

437
00:23:01,980 --> 00:23:04,860
Keith i Anita odlaze u Maroko Brian

438
00:23:04,860 --> 00:23:08,039
ide na Šri Lanku Bill i Astrid idu u

439
00:23:08,039 --> 00:23:10,620
Švedska i Charliejev dom

440
00:23:10,620 --> 00:23:14,039
u siječnju 68. Mick bi kupio an

441
00:23:14,039 --> 00:23:17,100
stan na Chester Square London Keith

442
00:23:17,100 --> 00:23:20,159
završava oporavak u Parizu

443
00:23:20,159 --> 00:23:23,400
dobio je hepatitis u Maroku

444
00:23:23,400 --> 00:23:26,100
sada smo znali da je Brian postao prijatelj

445
00:23:26,100 --> 00:23:28,740
Jimi Hendrix iz Monterey Pop-a

446
00:23:28,740 --> 00:23:32,460
Festival u ljeto 67.

447
00:23:32,460 --> 00:23:35,820
sada u siječanjskom vremenskom okviru koji je Brian imao

448
00:23:35,820 --> 00:23:39,000
pridružio se Jimmyju u Olimpijskim studijima

449
00:23:39,000 --> 00:23:43,380
21. siječnja 1968.

450
00:23:43,380 --> 00:23:46,980
Eddie Kramer je bio inženjer

451
00:23:46,980 --> 00:23:51,000
na ovoj sjednici Jimmy bi snimio

452
00:23:51,000 --> 00:23:56,120
povijesni komad Sve uz stražarnicu

453
00:23:57,659 --> 00:23:59,640
Idem u ovu malu rupu ovdje

454
00:23:59,640 --> 00:24:02,760
s Jimmyjem i snimanje All Along

455
00:24:02,760 --> 00:24:04,380
stražarska kula

456
00:24:04,380 --> 00:24:06,600
a bila je to pjesma koja je nedavno

457
00:24:06,600 --> 00:24:09,840
objavljen malo tko ga je čuo

458
00:24:09,840 --> 00:24:12,539
a Jimmy ga je samo zgrabio i potrčao s njim

459
00:24:12,539 --> 00:24:15,120
to viče uz akorde

460
00:24:15,120 --> 00:24:17,039
sada

461
00:24:17,039 --> 00:24:19,140
imao bi naravno Mitcha Mitchella

462
00:24:19,140 --> 00:24:22,260
na bubnjevima i Noel Redding upravo

463
00:24:22,260 --> 00:24:24,600
ukratko na osnovu koju je nekako dobio

464
00:24:24,600 --> 00:24:27,840
iznerviran i ljut i otišao jer

465
00:24:27,840 --> 00:24:30,659
nije baš želio svirati tu pjesmu

466
00:24:30,659 --> 00:24:33,480
barem ne njihovu verziju

467
00:24:33,480 --> 00:24:38,159
i on je zapravo rekao Hendricksu [ __ ] od toga

468
00:24:38,159 --> 00:24:40,440
pa je Dave Mason zapravo uzeo neku bazu

469
00:24:40,440 --> 00:24:44,520
dužnosti bi na kraju Jimmy položio

470
00:24:44,520 --> 00:24:46,980
baza kasnije

471
00:24:46,980 --> 00:24:49,200
Jimmy bi također svirao nešto akustično

472
00:24:49,200 --> 00:24:51,659
gitaru zajedno s Daveom Masonom

473
00:24:51,659 --> 00:24:53,700
ali razlog zašto također spominjem

474
00:24:53,700 --> 00:24:57,120
ova priča je zato što je Brian bio u

475
00:24:57,120 --> 00:25:01,640
studio i žele pridonijeti

476
00:25:02,400 --> 00:25:07,679
pa uzmite broj 14 kod pijanog Briana Jonesa

477
00:25:07,679 --> 00:25:10,679
petljao po klaviru i uzeo

478
00:25:10,679 --> 00:25:13,740
otprilike 23 sekunde prije nego što je Jimmy upravo rekao

479
00:25:13,740 --> 00:25:18,000
him cut it out cut it off ne treba to

480
00:25:18,000 --> 00:25:21,299
pa je Brian obično bio dobar prijatelj Jimmyja

481
00:25:21,299 --> 00:25:24,000
ne radi to, ali bio je vrlo ozbiljan

482
00:25:24,000 --> 00:25:26,520
za taj trenutak jednostavno nije mogao podnijeti

483
00:25:26,520 --> 00:25:29,100
samo lupanje i lupanje putem

484
00:25:29,100 --> 00:25:31,320
Brian ju je predstavljao bilo je lijepo

485
00:25:31,320 --> 00:25:33,740
užasno

486
00:25:34,830 --> 00:25:49,740
[Glazba]

487
00:25:49,740 --> 00:25:51,060
da

488
00:25:51,060 --> 00:26:15,020
[Glazba]

489
00:26:15,020 --> 00:26:18,000
hvala vam

490
00:26:18,000 --> 00:26:20,340
pa bi Brian na kraju otišao u neki

491
00:26:20,340 --> 00:26:23,580
udaraljke prema kojima ste ga mogli čuti

492
00:26:23,580 --> 00:26:24,900
kraj

493
00:26:24,900 --> 00:26:27,179
svakog takta u uvodu

494
00:26:27,179 --> 00:26:29,700
svirao je instrument zvan Vibra

495
00:26:29,700 --> 00:26:31,350
šamariti

496
00:26:31,350 --> 00:26:34,710
[Glazba]

497
00:26:41,539 --> 00:26:44,250
hvala vam

498
00:26:44,250 --> 00:26:51,539
[Glazba]

499
00:26:51,960 --> 00:26:54,779
pjesme u session bi zapravo uzeo

500
00:26:54,779 --> 00:26:58,080
oko 27 puta

501
00:26:58,080 --> 00:27:01,919
Dave Mason je bio na sessionima na kojima je svirao

502
00:27:01,919 --> 00:27:05,039
gitara s 12 žica u ovoj pjesmi malo

503
00:27:05,039 --> 00:27:06,779
Neusklađeno

504
00:27:06,779 --> 00:27:09,240
čujmo priču Eddieja Kramera o

505
00:27:09,240 --> 00:27:11,580
ovo sa zvukom

506
00:27:11,580 --> 00:27:14,240
stvari

507
00:27:16,030 --> 00:27:17,659
[Glazba]

508
00:27:17,659 --> 00:27:21,059
wow kad čuješ tu pjesmu nekoliko

509
00:27:21,059 --> 00:27:23,159
stvari vam padaju na pamet kad to čujete

510
00:27:23,159 --> 00:27:26,039
lagano Out Of Tune 12 žica koja je

511
00:27:26,039 --> 00:27:28,440
Davea Masona, ali ispod toga postoji

512
00:27:28,440 --> 00:27:32,240
Jimmy svira žestoki ritam

513
00:27:32,240 --> 00:27:34,620
udarci gore i dolje Potezi na šesti

514
00:27:34,620 --> 00:27:37,080
žica čudno zvuči žica od 12 žica

515
00:27:37,080 --> 00:27:40,159
poslušajmo ga ponovno

516
00:27:41,640 --> 00:27:43,210
oh

517
00:27:43,210 --> 00:27:56,640
[Glazba]

518
00:27:56,640 --> 00:27:59,279
stvarno je super čuti kako njih dvoje

519
00:27:59,279 --> 00:28:00,720
od njih se igraju zajedno kada su

520
00:28:00,720 --> 00:28:02,940
konačno zaključan u znaš Davea Masona

521
00:28:02,940 --> 00:28:06,679
doing their praying praying and Jimmy

522
00:28:06,679 --> 00:28:10,200
za mene je to prekrasan trenutak u

523
00:28:10,200 --> 00:28:13,080
pjesma čuti kako ona dva tipa samo zaključavaju

524
00:28:13,080 --> 00:28:14,370
u

525
00:28:14,370 --> 00:28:23,940
[Glazba]

526
00:28:23,940 --> 00:28:26,520
posljednja poruka s Jimmyjem

527
00:28:26,520 --> 00:28:29,820
Otvaranje 1. veljače u Fillmoreu

528
00:28:29,820 --> 00:28:31,200
zapad

529
00:28:31,200 --> 00:28:34,559
bio je s Albertom Kingom i Johnom Mayallom

530
00:28:34,559 --> 00:28:36,960
oh i tko je bio u bendu Johna Maylesa dobro

531
00:28:36,960 --> 00:28:38,520
Mick Taylor

532
00:28:38,520 --> 00:28:41,159
pa je kamenje bilo zaokupljeno

533
00:28:41,159 --> 00:28:44,220
ovaj vremenski okvir prosinac i siječanj i

534
00:28:44,220 --> 00:28:46,740
Bill s kojim je radio neku produkciju

535
00:28:46,740 --> 00:28:50,100
grupa pod nazivom end they released an

536
00:28:50,100 --> 00:28:52,740
album kasnije u

537
00:28:52,740 --> 00:28:56,159
a Charlie dobro njegova žena Shirley je bila

538
00:28:56,159 --> 00:28:59,220
spremni za rođenje svog prvog djeteta tako

539
00:28:59,220 --> 00:29:01,260
Charlie je bio kod kuće

540
00:29:01,260 --> 00:29:03,299
a Mick i Keith bili su tamo-amo

541
00:29:03,299 --> 00:29:06,240
u Redlandsu i Chelseaju

542
00:29:06,240 --> 00:29:08,880
tako da je vremenska linija početkom veljače do

543
00:29:08,880 --> 00:29:11,100
sredinom veljače počeli bi Stonesi

544
00:29:11,100 --> 00:29:14,400
probe za novi album i ovo je bilo

545
00:29:14,400 --> 00:29:18,720
također napravljeno u Keatsovom domu u Redlandsu

546
00:29:18,720 --> 00:29:22,559
21. veljače do sredine ožujka 68 oni

547
00:29:22,559 --> 00:29:24,740
imao bi više proba ali ovaj put

548
00:29:24,740 --> 00:29:29,700
u studiju RG Jones u Morton Surreyu

549
00:29:29,700 --> 00:29:31,440
blizu Londona

550
00:29:31,440 --> 00:29:34,380
pa bi Jimmy potaknuo kamenje da

551
00:29:34,380 --> 00:29:36,960
nabavite osnovne stvari za sljedeći album do

552
00:29:36,960 --> 00:29:40,860
udaljavanje od vanjskih utjecaja

553
00:29:40,860 --> 00:29:43,620
Jimmy je vidio ovaj sastojak

554
00:29:43,620 --> 00:29:46,500
bježeći od svih kad je Steve Winwood

555
00:29:46,500 --> 00:29:48,600
u prometu bi svi izašli na

556
00:29:48,600 --> 00:29:51,720
seoska kućica i to bi se usredotočilo

557
00:29:51,720 --> 00:29:54,960
tada je Jimmy pitao Keitha je li

558
00:29:54,960 --> 00:29:57,539
u redu da odu u Redlands

559
00:29:57,539 --> 00:29:59,899
tako da je to vrijeme korišteno za

560
00:29:59,899 --> 00:30:03,120
predprobe i polaganje ideja i

561
00:30:03,120 --> 00:30:05,220
snimati ih na kasetu

562
00:30:05,220 --> 00:30:07,679
u redu, znamo ovu priču, ali trebam

563
00:30:07,679 --> 00:30:11,100
da ga iznese Mick i Keith oni

564
00:30:11,100 --> 00:30:13,860
bili cijelu noć u Redlandsu radeći

565
00:30:13,860 --> 00:30:17,340
Mick je zaspao na sofi Keith na

566
00:30:17,340 --> 00:30:20,279
fotelja bilo je kišovito i mokro

567
00:30:20,279 --> 00:30:23,940
bilo je oko 6 30 ujutro

568
00:30:23,940 --> 00:30:26,340
bili su srušeni

569
00:30:26,340 --> 00:30:29,460
Keithov stariji vrtlar bio je vani

570
00:30:29,460 --> 00:30:32,159
prozor radi ono što obično radi

571
00:30:32,159 --> 00:30:34,980
raditi i čistiti

572
00:30:34,980 --> 00:30:38,100
pa se Mick trgnuo zbog grudanja i

573
00:30:38,100 --> 00:30:40,740
šljapkajući u The Gardener's boots

574
00:30:40,740 --> 00:30:45,840
buđenje pitajući kakav je to zvuk

575
00:30:45,840 --> 00:30:49,260
Keith je znao tko je i što je to

576
00:30:49,260 --> 00:30:54,059
on kaže oh to je Jack jumping jack

577
00:30:54,059 --> 00:30:57,419
na kraju bi Mick dodao meso

578
00:30:57,419 --> 00:31:00,419
bili su na nečemu

579
00:31:00,419 --> 00:31:03,899
sad se vraćam na probe RG

580
00:31:03,899 --> 00:31:05,880
Jones

581
00:31:05,880 --> 00:31:08,880
probe Brian Bill i Charlie oni

582
00:31:08,880 --> 00:31:11,399
jednom su se rano pojavili i radili su

583
00:31:11,399 --> 00:31:14,640
uobičajeno zaglavljivanje dok se čeka Micka

584
00:31:14,640 --> 00:31:16,440
i Keith

585
00:31:16,440 --> 00:31:18,720
bill se šalio s rifom na a

586
00:31:18,720 --> 00:31:21,480
klavir novi i Brian i Charlie

587
00:31:21,480 --> 00:31:23,940
pokupili to i oni su to svirali

588
00:31:23,940 --> 00:31:25,140
za malo

589
00:31:25,140 --> 00:31:28,020
Mick i Keith napokon se pojavljuju čuju

590
00:31:28,020 --> 00:31:30,539
što sviraju i Mick kaže

591
00:31:30,539 --> 00:31:33,720
nastavi igrati, nastavi, to je stvarno

592
00:31:33,720 --> 00:31:35,220
dobar

593
00:31:35,220 --> 00:31:37,679
i kako bill rekao

594
00:31:37,679 --> 00:31:41,039
to je bio Jumping Jack Flash riff mi

595
00:31:41,039 --> 00:31:44,640
mogu se sjetiti Keithove priče o zadovoljstvu

596
00:31:44,640 --> 00:31:46,860
i snimajući riff na svojoj kaseti

597
00:31:46,860 --> 00:31:49,500
rekorder, a zatim zaspati za

598
00:31:49,500 --> 00:31:52,320
satisfaction riff i to se vratilo

599
00:31:52,320 --> 00:31:55,620
65. Keith bi rekao Jumping Jack Flash

600
00:31:55,620 --> 00:31:57,539
i nastao je Street Fighting Man

601
00:31:57,539 --> 00:32:01,140
jer je bio fasciniran novim

602
00:32:01,140 --> 00:32:03,659
tehnologija i mogućnosti i

603
00:32:03,659 --> 00:32:06,360
mogućnosti sviranja akustike

604
00:32:06,360 --> 00:32:09,179
putem kasetofona i korištenjem

605
00:32:09,179 --> 00:32:12,059
mikrofon kao pickup koji je Keith volio

606
00:32:12,059 --> 00:32:15,080
kaseta kao automatizirani diktat

607
00:32:15,080 --> 00:32:19,140
to je bio san za liričara on ga je koristio

608
00:32:19,140 --> 00:32:21,840
stalno mikrofon može biti

609
00:32:21,840 --> 00:32:24,960
umetnut u otvor gitare i

610
00:32:24,960 --> 00:32:28,320
proizvoditi overdrive preopterećeni zvuk

611
00:32:28,320 --> 00:32:32,159
distorzija ovaj stroj je bio njegov novi

612
00:32:32,159 --> 00:32:34,140
bilježnica

613
00:32:34,140 --> 00:32:35,760
pa ideje

614
00:32:35,760 --> 00:32:38,820
tekstovi su stavljeni na kasetu oni

615
00:32:38,820 --> 00:32:41,100
dovedeni su Jimmyju dok sam neke razotkrivao

616
00:32:41,100 --> 00:32:43,559
tumačenja ovih Genija

617
00:32:43,559 --> 00:32:44,820
tekstovi pjesama

618
00:32:44,820 --> 00:32:46,740
nismo sigurni

619
00:32:46,740 --> 00:32:49,740
gdje su sve bile napisane jesu li

620
00:32:49,740 --> 00:32:51,960
učinjeno u Redlandsu gdje su učinjeno

621
00:32:51,960 --> 00:32:55,980
na probi ili na Olimpijskim igrama

622
00:32:55,980 --> 00:32:59,279
samo nisam siguran da bih mislio da je to nekako

623
00:32:59,279 --> 00:33:00,419
nepoznato

624
00:33:00,419 --> 00:33:03,240
ali možda sve troje

625
00:33:03,240 --> 00:33:05,940
ali htio sam podijeliti ovu jednu priču

626
00:33:05,940 --> 00:33:08,460
s tobom i mišlju koju bi mogao slegnuti ramenima

627
00:33:08,460 --> 00:33:10,919
ramena ti odmahuju glavom

628
00:33:10,919 --> 00:33:12,360
br

629
00:33:12,360 --> 00:33:14,580
ili lijevo

630
00:33:14,580 --> 00:33:16,440
zanimljivo je

631
00:33:16,440 --> 00:33:20,399
kao Folk Tales nose posebno u

632
00:33:20,399 --> 00:33:21,720
Engleska

633
00:33:21,720 --> 00:33:24,720
pa idemo u ovo, toliko ih je

634
00:33:24,720 --> 00:33:27,240
misli o čemu ova pjesma govori

635
00:33:27,240 --> 00:33:30,480
i mišljenja i evo jedne teme

636
00:33:30,480 --> 00:33:33,240
koji je tamo izbačen

637
00:33:33,240 --> 00:33:36,140
postoji poznata priča koja je počela okolo

638
00:33:36,140 --> 00:33:39,179
1837. i prethode

639
00:33:39,179 --> 00:33:42,419
mnogo prije Jacka Trbosjeka

640
00:33:42,419 --> 00:33:45,779
ta stvar ili tip što god to bio bio je

641
00:33:45,779 --> 00:33:49,019
nazvao Spring-heeled Jack ovo biće

642
00:33:49,019 --> 00:33:52,440
opisao da ima oči poput vatre i

643
00:33:52,440 --> 00:33:55,620
ruke poput Kandži i mogu skočiti s njih

644
00:33:55,620 --> 00:33:57,419
krov do krova

645
00:33:57,419 --> 00:34:00,539
opisuje se kao groteskna figura koja

646
00:34:00,539 --> 00:34:03,480
posvjedočilo je nekoliko i to također

647
00:34:03,480 --> 00:34:05,399
napadao žene

648
00:34:05,399 --> 00:34:09,000
sada do 1850-ih i 60-ih to se sada vidjelo

649
00:34:09,000 --> 00:34:11,339
po cijeloj Engleskoj

650
00:34:11,339 --> 00:34:14,700
još uvijek viđena 1870-ih i ljudi su je pokušali

651
00:34:14,700 --> 00:34:17,159
postaviti zamku ali nema sreće

652
00:34:17,159 --> 00:34:20,520
Proljetni Heel Jack zadnji put je viđen u

653
00:34:20,520 --> 00:34:24,440
viktorijansko doba 1904. u Liverpoolu

654
00:34:24,440 --> 00:34:27,540
skačući i skačući bio je navodno

655
00:34:27,540 --> 00:34:30,960
stjeran u kut, ali je pobjegao i nikad ga nisu vidjeli

656
00:34:30,960 --> 00:34:33,119
opet nakon toga

657
00:34:33,119 --> 00:34:36,480
navodno je dobila ime Jumping

658
00:34:36,480 --> 00:34:37,800
Jack Flash

659
00:34:37,800 --> 00:34:41,179
zbog svojih ponašanja

660
00:34:43,120 --> 00:34:46,940
[pljesak]

661
00:34:47,220 --> 00:34:49,020
neizbježan

662
00:34:49,020 --> 00:34:51,240
Mislim da je jedna od najboljih distrakcija

663
00:34:51,240 --> 00:34:52,859
čitanje za koje mislim da je bolje od

664
00:34:52,859 --> 00:34:54,839
TV jer smo stvarno znali pobjeći od

665
00:34:54,839 --> 00:34:58,020
stoljeće čak i ti znaš pa si

666
00:34:58,020 --> 00:35:00,359
sad je tvoja mašta tu u redu

667
00:35:00,359 --> 00:35:03,980
gledajući TV jer

668
00:35:05,640 --> 00:35:07,980
čitate što je 20 40 tjedan u ovom trenutku

669
00:35:07,980 --> 00:35:10,680
biografije jer onda možete birati

670
00:35:10,680 --> 00:35:12,240
dižu ih i spuštaju fotografi

671
00:35:12,240 --> 00:35:14,700
su stvarno lake stvari i laki ti romani

672
00:35:14,700 --> 00:35:16,800
znaj još jednu jako tešku znaš

673
00:35:16,800 --> 00:35:18,960
dobra teška knjiga za spavanje navečer je

674
00:35:18,960 --> 00:35:20,640
dobro da poznaješ nekoga u

675
00:35:20,640 --> 00:35:22,859
klasika ili tako nešto ide u krevet

676
00:35:22,859 --> 00:35:24,359
kreveti za spavanje pa kakva je struja

677
00:35:24,359 --> 00:35:26,960
životopis

678
00:35:27,380 --> 00:35:31,380
tko je bio on on je bio Špekulant u

679
00:35:31,380 --> 00:35:33,359
rani parlament dobro je živio to je bio a

680
00:35:33,359 --> 00:35:36,960
moćan od 1917. do 1960. godine

681
00:35:36,960 --> 00:35:39,960
bio je to financijski i politički tip

682
00:35:39,960 --> 00:35:42,619
na zanimljivo

683
00:35:44,220 --> 00:35:45,680
Mislim da sam udario tipa

684
00:35:45,680 --> 00:35:48,359
nema tajni da je Mick bio

685
00:35:48,359 --> 00:35:51,060
petljajući s Luciferom u toj temi

686
00:35:51,060 --> 00:35:52,380
način

687
00:35:52,380 --> 00:35:55,619
sada dovedite Marianne Mick je bila

688
00:35:55,619 --> 00:35:59,460
književni i duboki čitatelj budući obožavatelj

689
00:35:59,460 --> 00:36:03,900
Ginsburg curack Burrows i beat pisci

690
00:36:03,900 --> 00:36:07,140
ali kasno 67 je usmjerio prema

691
00:36:07,140 --> 00:36:09,300
Zlokobna strana

692
00:36:09,300 --> 00:36:11,339
skupljao bi nešto okultno

693
00:36:11,339 --> 00:36:15,420
informacije i knjige na tu temu

694
00:36:15,420 --> 00:36:18,420
po imenu Kenneth anger je bio blizak prijatelj

695
00:36:18,420 --> 00:36:21,660
od kamenja i Entourage

696
00:36:21,660 --> 00:36:24,240
sad je snimio kultni film Lucifer

697
00:36:24,240 --> 00:36:25,560
Ustajanje

698
00:36:25,560 --> 00:36:28,800
sada je gnjev bio učenik crnog

699
00:36:28,800 --> 00:36:32,460
mađioničar Alistair Crowley

700
00:36:32,460 --> 00:36:36,480
ljutnja je bila bliska Marijani i Aniti

701
00:36:36,480 --> 00:36:39,359
Marianne bi igrala u Lucifer Rising

702
00:36:39,359 --> 00:36:40,619
film

703
00:36:40,619 --> 00:36:43,760
o crnoj magiji i egipatskim bogovima

704
00:36:43,760 --> 00:36:47,820
prizivajući anđela Lucifera kako bi

705
00:36:47,820 --> 00:36:51,079
potaknuti novo okultno doba

706
00:36:51,079 --> 00:36:55,079
Marianne je glumila božicu Lilf

707
00:36:55,079 --> 00:36:58,079
recimo da je bio pravi trippy

708
00:36:58,079 --> 00:37:00,720
filmu Mick bi također nastupio i glumio a

709
00:37:00,720 --> 00:37:05,480
score it angers 69 kratki film

710
00:37:05,480 --> 00:37:08,579
zaziv za mog demonskog brata Keitha

711
00:37:08,579 --> 00:37:10,740
učinio također

712
00:37:10,740 --> 00:37:13,079
Samo iznosim ovo i povezujem ovo

713
00:37:13,079 --> 00:37:15,200
jer postoje misli o nekim dubokim

714
00:37:15,200 --> 00:37:18,780
Jumping Jack Flash lyrics prema Sotoni

715
00:37:18,780 --> 00:37:21,960
i Lucifer Pa dolazi prava vražja pjesma

716
00:37:21,960 --> 00:37:24,960
ionako uskoro postoji također

717
00:37:24,960 --> 00:37:27,780
neki spominju da je tekst za Jumping

718
00:37:27,780 --> 00:37:30,060
Jack Flash je bio nadahnut

719
00:37:30,060 --> 00:37:34,020
prema pjesmi Williama Blakea iz 1908

720
00:37:34,020 --> 00:37:37,440
mentalni putnik sve samo nagađanja i

721
00:37:37,440 --> 00:37:39,480
sve je otvoreno za svoje

722
00:37:39,480 --> 00:37:42,359
tumačenje Samo ga moram izbaciti

723
00:37:42,359 --> 00:37:43,500
tamo

724
00:37:43,500 --> 00:37:45,900
pa ono što sam učinio je da sam razbio

725
00:37:45,900 --> 00:37:49,140
tekstovi su izbacili ključne riječi i uklonili

726
00:37:49,140 --> 00:37:52,680
pridjeva i došao do ovog popisa

727
00:37:52,680 --> 00:37:56,099
rođen Crossfire uragan

728
00:37:56,099 --> 00:38:01,740
urlao ma rain hag strap my back

729
00:38:01,740 --> 00:38:04,619
utopljen opran

730
00:38:04,619 --> 00:38:08,060
mrtav pao je na noge iskrvario koru kruha

731
00:38:08,060 --> 00:38:12,060
Crown Spike glava i gas

732
00:38:12,060 --> 00:38:17,400
pa meni dno ako je plin

733
00:38:17,400 --> 00:38:19,140
zabavno je

734
00:38:19,140 --> 00:38:20,760
to je nagađanje

735
00:38:20,760 --> 00:38:23,280
Keith je znao dosta toga

736
00:38:23,280 --> 00:38:26,940
o svom lokalnom vrtlaru stare škole i

737
00:38:26,940 --> 00:38:28,440
njegove priče

738
00:38:28,440 --> 00:38:30,599
Jack bi živio život u

739
00:38:30,599 --> 00:38:34,859
sela i nije izložena gradu

740
00:38:34,859 --> 00:38:37,800
kao što je Jack bio tema za naslov oni

741
00:38:37,800 --> 00:38:40,320
mora da je nastavio temu i oni

742
00:38:40,320 --> 00:38:43,560
ostao pri priči samo o Jacku

743
00:38:43,560 --> 00:38:46,440
tko bi rekao rođen u unakrsnoj vatri

744
00:38:46,440 --> 00:38:48,900
uragan nije bio o Jacku

745
00:38:48,900 --> 00:38:52,859
vrtlar u Prvom svjetskom ratu ako ta crta

746
00:38:52,859 --> 00:38:55,339
bilo povezano s bilo čim u vezi s ratom

747
00:38:55,339 --> 00:38:58,140
droga Rat

748
00:38:58,140 --> 00:39:01,140
napuštajući religiju psihodeličnog razdoblja

749
00:39:01,140 --> 00:39:02,820
Sotona

750
00:39:02,820 --> 00:39:05,880
sve unutar onoga što slušatelj želi

751
00:39:05,880 --> 00:39:07,920
tumačiti to

752
00:39:07,920 --> 00:39:09,960
to je krajnji cilj, ali moj favorit

753
00:39:09,960 --> 00:39:11,700
lirski

754
00:39:11,700 --> 00:39:14,700
slijep za ovu pjesmu jesam i ja

755
00:39:14,700 --> 00:39:17,220
namrštio se na mrvice kore od

756
00:39:17,220 --> 00:39:18,260
kruh

757
00:39:18,260 --> 00:39:23,020
kako uopće možete protumačiti ovu rečenicu

758
00:39:23,020 --> 00:39:38,179
[Glazba]

759
00:39:45,130 --> 00:39:52,020
[Glazba]

760
00:39:52,020 --> 00:39:54,720
znali su kombinirati tekstove

761
00:39:54,720 --> 00:39:56,220
u SAD-u

762
00:39:56,220 --> 00:40:00,000
samo moramo vidjeti rezultate

763
00:40:00,000 --> 00:40:02,579
prešli bi od dječaka do muškaraca s ovim

764
00:40:02,579 --> 00:40:03,359
pjesma

765
00:40:03,359 --> 00:40:05,880
i prepisivao fraze iz novina

766
00:40:05,880 --> 00:40:08,880
i časopisa tada je uzeo škare i

767
00:40:08,880 --> 00:40:10,859
izrežite ove odabire na komade i

768
00:40:10,859 --> 00:40:14,579
preuredite fragmente nasumično

769
00:40:14,579 --> 00:40:17,820
tu je i ta posljednja teorija

770
00:40:17,820 --> 00:40:21,420
možda su se Mick i Keith petljali s tim

771
00:40:21,420 --> 00:40:23,940
metoda rezanja

772
00:40:23,940 --> 00:40:26,820
izrezivanje redaka teksta kao iz a

773
00:40:26,820 --> 00:40:29,820
novine i spajanje

774
00:40:29,820 --> 00:40:32,460
to je samo misao

775
00:40:32,460 --> 00:40:35,940
malo nas zna za R.G Jonesa

776
00:40:35,940 --> 00:40:39,660
Studio se nalazi južno od Londona

777
00:40:39,660 --> 00:40:42,000
tamo su otišli učiniti nešto

778
00:40:42,000 --> 00:40:44,280
probe

779
00:40:44,280 --> 00:40:48,900
Našao sam neke informacije o ovom studiju u It's

780
00:40:48,900 --> 00:40:51,720
Samo je Rock and roll.org imao ovo

781
00:40:51,720 --> 00:40:52,619
isječak

782
00:40:52,619 --> 00:40:55,040
iz kojeg pokazujem ovaj snimak

783
00:40:55,040 --> 00:40:57,720
1964. vidite

784
00:40:57,720 --> 00:41:00,300
snimljeno je u studiju benda pod nazivom

785
00:41:00,300 --> 00:41:03,540
four steps Beyond su ovdje snimljeni s

786
00:41:03,540 --> 00:41:05,460
osam milimetara koliko su htjeli

787
00:41:05,460 --> 00:41:07,500
napraviti ploču po kojoj bi prodavali

788
00:41:07,500 --> 00:41:10,020
klubovima u kojima su igrali

789
00:41:10,020 --> 00:41:13,440
uh hvala Brian day55 YouTube kanal

790
00:41:13,440 --> 00:41:15,420
za ovo

791
00:41:15,420 --> 00:41:17,220
ovo je samo da vam dam ideju što

792
00:41:17,220 --> 00:41:20,040
studio je izgledao kao tada

793
00:41:20,040 --> 00:41:22,440
a možete zamisliti kamenje u ovome

794
00:41:22,440 --> 00:41:24,900
tijesne četvrtine

795
00:41:24,900 --> 00:41:27,240
zvuk koji čujete

796
00:41:27,240 --> 00:41:31,020
je džem od 6. veljače sa svim

797
00:41:31,020 --> 00:41:34,579
njih i gulaš eventualno

798
00:41:37,320 --> 00:41:39,300
pa je kamenje sviralo svoj blues

799
00:41:39,300 --> 00:41:41,640
u ovim probama koje su također radili

800
00:41:41,640 --> 00:41:44,099
neke hard Edge melodije i instrumental

801
00:41:44,099 --> 00:41:47,460
jams i Jimmy i Eddie Kramer bili su

802
00:41:47,460 --> 00:41:49,680
ovdje u studiju

803
00:41:49,680 --> 00:41:52,859
a otvorili su pjesmom My home is a

804
00:41:52,859 --> 00:41:55,859
zatvor također poznat upucao moje dijete to je

805
00:41:55,859 --> 00:41:59,060
tanak Harpo napjev

806
00:42:00,980 --> 00:42:20,720
[Glazba]

807
00:42:20,720 --> 00:42:24,359
druga pjesma koju bi svirali je izdrži

808
00:42:24,359 --> 00:42:26,040
ja dolazim

809
00:42:26,040 --> 00:42:29,520
Sam i Dave bi iz 1966. godine

810
00:42:29,520 --> 00:42:32,339
pusti ovo nekoliko puta

811
00:42:32,339 --> 00:42:34,740
a Mick bi se malo bavio reklamom ali

812
00:42:34,740 --> 00:42:37,610
koristeći tekstove zadovoljstva

813
00:42:37,610 --> 00:42:40,840
[Glazba]

814
00:42:46,950 --> 00:42:50,020
[Glazba]

815
00:42:53,520 --> 00:42:55,180
oh

816
00:42:55,180 --> 00:43:00,410
[pljesak]

817
00:43:00,410 --> 00:43:03,540
[Glazba]

818
00:43:06,780 --> 00:43:09,780
stranim

819
00:43:09,780 --> 00:43:16,940
[pljesak]

820
00:43:16,940 --> 00:43:20,410
[Glazba]

821
00:43:20,410 --> 00:43:24,040
[pljesak]

822
00:43:24,040 --> 00:43:33,800
[Glazba]

823
00:43:41,640 --> 00:43:44,640
hahaha

824
00:43:48,900 --> 00:43:52,079
rock me baby još jedan rez svira nekoliko

825
00:43:52,079 --> 00:43:54,359
puta bi Mick svirao neku gitaru

826
00:43:54,359 --> 00:43:56,280
na ovom

827
00:43:56,280 --> 00:43:58,560
Brian je bio odsutan s nekih od njih

828
00:43:58,560 --> 00:44:01,800
sesije iako je također bio u

829
00:44:01,800 --> 00:44:04,980
Paris slavi svoj rođendan veljače

830
00:44:04,980 --> 00:44:06,720
28

831
00:44:06,720 --> 00:44:08,400
isto kao i moje

832
00:44:08,400 --> 00:44:10,560
Bill ne bi prisustvovao mnogima od njih

833
00:44:10,560 --> 00:44:12,599
sjednice bilo ali kao što sam spomenuo

834
00:44:12,599 --> 00:44:15,599
prije najvećeg trenutka

835
00:44:15,599 --> 00:44:18,300
to se dogodilo jer je Bill igrao to

836
00:44:18,300 --> 00:44:20,940
klavirski riff s Charliejem i Brianom i

837
00:44:20,940 --> 00:44:23,579
razvijajući onaj Jumping Jack Flash

838
00:44:23,579 --> 00:44:26,030
melodija

839
00:44:26,030 --> 00:44:30,289
[Glazba]

840
00:44:34,210 --> 00:44:40,530
[Glazba]

841
00:44:52,670 --> 00:44:58,250
[Glazba]

842
00:45:02,310 --> 00:45:05,579
[Glazba]

843
00:45:05,579 --> 00:45:08,040
kad ponovo vidite melodije na ovom popisu

844
00:45:08,040 --> 00:45:11,880
za RG Jones Studios

845
00:45:11,880 --> 00:45:14,819
radili su s ranim verzijama br

846
00:45:14,819 --> 00:45:16,380
očekivanja

847
00:45:16,380 --> 00:45:19,260
i neki lutalica Blues koji si

848
00:45:19,260 --> 00:45:20,400
čuvši sada

849
00:45:20,400 --> 00:45:23,960
vrlo različit zvuk

850
00:45:33,140 --> 00:45:36,140
hvala vam

851
00:45:42,079 --> 00:45:44,880
oprostite ako ponovim i postanem

852
00:45:44,880 --> 00:45:48,000
ponavljanje nekih od ovih informacija I

853
00:45:48,000 --> 00:45:49,560
samo želim biti siguran da je ugašen

854
00:45:49,560 --> 00:45:50,700
tamo

855
00:45:50,700 --> 00:45:52,619
dolazi ovo što ću sada predstaviti

856
00:45:52,619 --> 00:45:55,920
iz knjige Rolling Stones oprema u an

857
00:45:55,920 --> 00:45:58,260
bitna knjiga koja je prekrasno

858
00:45:58,260 --> 00:46:01,319
napisano i prezentirano i vrijedno toga

859
00:46:01,319 --> 00:46:04,260
za sve obožavatelje Stonesa napisao ju je Andy

860
00:46:04,260 --> 00:46:06,960
babić i Greg Prevost

861
00:46:06,960 --> 00:46:09,359
a Jimmy Miller u biti govori

862
00:46:09,359 --> 00:46:11,940
o tome kako su zabilježili ovaj proces

863
00:46:11,940 --> 00:46:14,040
s Jumping Jackom Flashom

864
00:46:14,040 --> 00:46:16,319
a on bi rekao da bi krenuli

865
00:46:16,319 --> 00:46:19,680
okupite se i miksajte ogroman house

866
00:46:19,680 --> 00:46:21,180
Chester Square

867
00:46:21,180 --> 00:46:23,220
a oni bi sjedili u praznom

868
00:46:23,220 --> 00:46:26,160
sobe na tepihu i samo bi

869
00:46:26,160 --> 00:46:28,079
pusti kasetu i Keith bi bio

870
00:46:28,079 --> 00:46:30,660
sviranje gitare i Mick i Keith

871
00:46:30,660 --> 00:46:32,640
bi pjevao pjesmu koju su upravo

872
00:46:32,640 --> 00:46:35,520
napisano i neka Jimmy čuje

873
00:46:35,520 --> 00:46:38,760
i pokazujući im hrpu materijala

874
00:46:38,760 --> 00:46:41,280
moći započeti s njima

875
00:46:41,280 --> 00:46:42,720
stol i neke udaraljke

876
00:46:42,720 --> 00:46:45,780
doprinose i zatim to zabilježite na a

877
00:46:45,780 --> 00:46:46,740
kazeta

878
00:46:46,740 --> 00:46:50,099
i Jimmy je došao na ideju reći u redu, hajdemo

879
00:46:50,099 --> 00:46:52,619
uzeti ono što upravo imamo na kaseti

880
00:46:52,619 --> 00:46:55,319
i snimite ga

881
00:46:55,319 --> 00:46:58,500
na četiri staze

882
00:46:58,500 --> 00:47:01,680
sada je također dodan komplet igračaka

883
00:47:01,680 --> 00:47:04,619
bubnjevi koje Charlie posjeduje

884
00:47:04,619 --> 00:47:07,619
pa je ta ista metoda korištena na Olimpiju

885
00:47:07,619 --> 00:47:09,540
Studio u kojem bi sjedili u

886
00:47:09,540 --> 00:47:12,300
krug Keith zajedno s Charlie igra

887
00:47:12,300 --> 00:47:15,180
ti bubnjevi što je također bilo zanimljivo

888
00:47:15,180 --> 00:47:18,119
nisu koristili baterije u

889
00:47:18,119 --> 00:47:19,800
kasetofon koristili su AC

890
00:47:19,800 --> 00:47:23,339
adapterski kabel kako bi protok bio dosljedan

891
00:47:23,339 --> 00:47:26,460
i ništa što je promijenilo zvuk koji jesam

892
00:47:26,460 --> 00:47:29,540
neću ulaziti u to, ali spomenuti ovo

893
00:47:29,540 --> 00:47:33,359
to za singl izdanje iako

894
00:47:33,359 --> 00:47:36,960
Skakanje Jacka Flasha bilo bi vrhunsko

895
00:47:36,960 --> 00:47:39,300
izdanje singla

896
00:47:39,300 --> 00:47:41,579
prvi snimljeni broj grupe

897
00:47:41,579 --> 00:47:45,180
za singl je platiti svoj doprinos

898
00:47:45,180 --> 00:47:47,400
koji je na kraju otišao u Street Fighting

899
00:47:47,400 --> 00:47:50,700
Čovjek i kao što vidimo konačnu riječ je imao

900
00:47:50,700 --> 00:47:52,680
Skačući Jack Flash

901
00:47:52,680 --> 00:47:56,280
imao prednost nad pay your dues mi

902
00:47:56,280 --> 00:47:57,960
sada idite na Jumping Jack Flash

903
00:47:57,960 --> 00:48:01,260
sesije u Olimpijskim studijima 23. ožujka

904
00:48:01,260 --> 00:48:02,839
do 29

905
00:48:02,839 --> 00:48:06,060
1968. Ethan Charlie snimljeni su na

906
00:48:06,060 --> 00:48:07,319
kazeta

907
00:48:07,319 --> 00:48:09,540
onda je stavljeno na multi-track da bi se

908
00:48:09,540 --> 00:48:11,099
iskrivljenje

909
00:48:11,099 --> 00:48:13,920
a kad pretjeraš tu kasetu to

910
00:48:13,920 --> 00:48:16,500
ima prirodan zvuk izobličenja kada je

911
00:48:16,500 --> 00:48:18,000
reproducirano

912
00:48:18,000 --> 00:48:21,599
kazeta bi djelovala kao pickup an

913
00:48:21,599 --> 00:48:24,000
pojačalo jer je mikrofon bio zaglavljen u

914
00:48:24,000 --> 00:48:25,500
rupa za gitaru

915
00:48:25,500 --> 00:48:27,660
uključili bi kasetu u a

916
00:48:27,660 --> 00:48:30,240
mali produžni zvučnik

917
00:48:30,240 --> 00:48:33,540
a zatim postavite mikrofon ispred toga

918
00:48:33,540 --> 00:48:36,540
stavi to na vrpcu pa kad je Jimmy čuo

919
00:48:36,540 --> 00:48:38,880
ovo u studiju je spojio

920
00:48:38,880 --> 00:48:41,460
odmah s Keithovim razmišljanjem i

921
00:48:41,460 --> 00:48:44,220
krajnji rezultat koji je želio pa što

922
00:48:44,220 --> 00:48:46,980
instrumenti su dobro korišteni u studiju

923
00:48:46,980 --> 00:48:50,400
Mick je stavio vokal Keitha unutar 65

924
00:48:50,400 --> 00:48:54,680
Gibson Hummingbird a 66 Gibson

925
00:48:54,680 --> 00:48:59,720
es-355 TD svira glavni i ritam

926
00:48:59,720 --> 00:49:03,480
Fender precizni bas iz 1966

927
00:49:03,480 --> 00:49:07,200
Keith je također igrao Charliejev Ludwig floor

928
00:49:07,200 --> 00:49:08,520
tom

929
00:49:08,520 --> 00:49:10,859
koji će čuti izolirani

930
00:49:10,859 --> 00:49:15,180
čujemo i prateće vokale od Keitha

931
00:49:15,180 --> 00:49:19,460
Charlie on glumi Biser kamenicu iz 1963

932
00:49:19,460 --> 00:49:23,819
Ludwig još nije Grk

933
00:49:23,819 --> 00:49:28,560
sada Brian navodno koristi a

934
00:49:28,560 --> 00:49:34,740
Rickenbacker ili Gibson ES 330 TD

935
00:49:34,740 --> 00:49:38,579
nije sto posto siguran ali on najviše

936
00:49:38,579 --> 00:49:41,160
vjerojatno je zakopan negdje tamo ili

937
00:49:41,160 --> 00:49:43,020
čak ni korištena

938
00:49:43,020 --> 00:49:47,000
bill će svirati Hammond m102 orgulje

939
00:49:47,000 --> 00:49:51,000
Ian Stewart Steinway klavir

940
00:49:51,000 --> 00:49:53,819
i Jimmyju Milleru on radi neku podršku

941
00:49:53,819 --> 00:49:55,800
vokal

942
00:49:55,800 --> 00:49:58,500
sada Jumping Jack Flash kad ga čuješ

943
00:49:58,500 --> 00:50:01,440
ne zvuči kao normalna gitara

944
00:50:01,440 --> 00:50:04,920
ima stvarnu jedinstvenost koja je zbog

945
00:50:04,920 --> 00:50:07,500
otvoreno ugađanje koje je vjerojatno zbog

946
00:50:07,500 --> 00:50:10,140
Nashville ugađanje i snimanje

947
00:50:10,140 --> 00:50:12,420
kroz kasetofon i davanje

948
00:50:12,420 --> 00:50:16,440
iskrivljeni zvukovi tako je jedinstven tako

949
00:50:16,440 --> 00:50:19,440
drugačiji i tako cool i ta stvar

950
00:50:19,440 --> 00:50:23,640
o tome će studijski rez uvijek biti

951
00:50:23,640 --> 00:50:26,640
zvuče drugačije od live verzija

952
00:50:26,640 --> 00:50:29,220
tako da postoji mnogo teorija i mnogo razmišljanja

953
00:50:29,220 --> 00:50:32,400
nagađanja ljudi koji analiziraju i

954
00:50:32,400 --> 00:50:35,880
slušajući ovu pjesmu i razbijajući je

955
00:50:35,880 --> 00:50:39,480
dolje mnogi ljudi čuju različite stvari

956
00:50:39,480 --> 00:50:41,819
ali općenito

957
00:50:41,819 --> 00:50:44,460
dvije tri gitare nisu bile sto

958
00:50:44,460 --> 00:50:47,520
posto siguran ali je pun ima

959
00:50:47,520 --> 00:50:49,140
vjerojatno nekoliko

960
00:50:49,140 --> 00:50:51,960
i otvoreno ugađanje

961
00:50:51,960 --> 00:50:55,380
može biti otvoreno E koje ne koristi a

962
00:50:55,380 --> 00:50:58,319
capo, moglo bi biti otvoreno D koje koristi a

963
00:50:58,319 --> 00:51:01,319
capo bi mogao biti standardno ugađanje i onda

964
00:51:01,319 --> 00:51:03,119
postoji i nešto što se zove Nashville

965
00:51:03,119 --> 00:51:06,599
ugađanje koje je visoko zvonko

966
00:51:06,599 --> 00:51:10,140
željeli su zvuk koji dolazi iz 50-ih

967
00:51:10,140 --> 00:51:13,859
dobiti drugačiji zvuk nešto visoko

968
00:51:13,859 --> 00:51:18,480
pitch i oni su uzeli visoku visinu

969
00:51:18,480 --> 00:51:21,599
žice gitare s 12 žica

970
00:51:21,599 --> 00:51:24,240
ono što sljedeće pokazujem je gitara

971
00:51:24,240 --> 00:51:26,579
igrajući male tutorijale koje sam ja

972
00:51:26,579 --> 00:51:28,440
pronađene na YouTubeu koje su bile na neki način

973
00:51:28,440 --> 00:51:30,660
korisno različite perspektive različite

974
00:51:30,660 --> 00:51:31,859
ugađanja

975
00:51:31,859 --> 00:51:35,460
jedan je otvoreni D s Nashville gitarom

976
00:51:35,460 --> 00:51:38,880
također svira dvije gitare drugu

977
00:51:38,880 --> 00:51:42,660
je električni otvoreni E tuning tako za vaš

978
00:51:42,660 --> 00:51:44,339
non-guitaris Nadam se da ćeš dobiti nešto

979
00:51:44,339 --> 00:51:45,839
iz ovoga i ovo je prilično dobro

980
00:51:45,839 --> 00:51:48,170
vizualno samo da vidim što se događa

981
00:51:48,170 --> 00:51:52,579
[Glazba]

982
00:52:09,690 --> 00:52:12,800
[Glazba]

983
00:52:26,390 --> 00:52:28,700
[Glazba]

984
00:52:28,700 --> 00:52:31,160
[pljesak]

985
00:52:31,160 --> 00:52:32,970
[Glazba]

986
00:52:32,970 --> 00:52:38,349
[pljesak]

987
00:52:39,340 --> 00:52:49,079
[Glazba]

988
00:52:49,079 --> 00:52:51,680
hvala vam

989
00:52:55,250 --> 00:52:59,900
[Glazba]

990
00:52:59,900 --> 00:53:02,550
hvala vam

991
00:53:02,550 --> 00:53:05,250
[Glazba]

992
00:53:05,250 --> 00:53:08,060
[pljesak]

993
00:53:08,060 --> 00:53:15,960
[Glazba]

994
00:53:15,960 --> 00:53:17,740
[pljesak]

995
00:53:17,740 --> 00:53:21,670
[Glazba]

996
00:53:21,780 --> 00:53:23,380
hvala vam

997
00:53:23,380 --> 00:53:27,710
[Glazba]

998
00:53:27,710 --> 00:53:28,940
[pljesak]

999
00:53:28,940 --> 00:53:32,699
[Glazba]

1000
00:53:35,240 --> 00:53:48,060
[Glazba]

1001
00:53:48,060 --> 00:53:49,460
[pljesak]

1002
00:53:49,460 --> 00:54:03,980
[Glazba]

1003
00:54:03,980 --> 00:54:05,160
hvala vam

1004
00:54:05,160 --> 00:54:07,319
[pljesak]

1005
00:54:07,319 --> 00:54:11,160
kad Keith ovo svira uživo, on to svira

1006
00:54:11,160 --> 00:54:13,800
u otvorenom G

1007
00:54:13,800 --> 00:54:17,460
a to je korištenje capo na četvrtom

1008
00:54:17,460 --> 00:54:19,819
uzrujavati se

1009
00:54:20,339 --> 00:54:23,160
još malo češkanja po glavi gitarom

1010
00:54:23,160 --> 00:54:25,619
liže te vode

1011
00:54:25,619 --> 00:54:28,800
nevjerojatno je da zvuče kao električni

1012
00:54:28,800 --> 00:54:31,380
gitara dugo sam mislio da jest

1013
00:54:31,380 --> 00:54:34,440
pogotovo što nikad nisam vidio akustiku

1014
00:54:34,440 --> 00:54:36,240
svirajući uživo

1015
00:54:36,240 --> 00:54:39,240
izgleda onako kako zvuči

1016
00:54:39,240 --> 00:54:42,680
vidimo da možete glumiti glavne uloge

1017
00:54:42,680 --> 00:54:46,559
dok je prebirao akorde i Ronnie I

1018
00:54:46,559 --> 00:54:48,660
vjerujem te glavne uloge igra odvojeno

1019
00:54:48,660 --> 00:54:52,140
uživo sa svojom gitarskom dionicom nije poznato

1020
00:54:52,140 --> 00:54:56,280
ako je ova pjesma samo akustika, sumnjam u to

1021
00:54:56,280 --> 00:54:58,079
vjerujem da je unutra električna gitara

1022
00:54:58,079 --> 00:55:01,800
ovdje ću prikazati dva videa o prikazivanju

1023
00:55:01,800 --> 00:55:04,200
kako Ronnie svira svoju gitarističku dionicu koja

1024
00:55:04,200 --> 00:55:06,720
je u standardnom podešavanju prvi video je

1025
00:55:06,720 --> 00:55:08,579
prilično jednostavno i pokazuje

1026
00:55:08,579 --> 00:55:11,280
vodi i u drugom videu

1027
00:55:11,280 --> 00:55:13,740
tip na YouTube kanalu je dodao a

1028
00:55:13,740 --> 00:55:17,780
malo više dvostrukih zaustavljanja

1029
00:55:18,300 --> 00:55:20,599
stranim

1030
00:55:21,130 --> 00:55:32,400
[Glazba]

1031
00:55:36,090 --> 00:55:40,689
[Glazba]

1032
00:55:46,120 --> 00:55:49,540
[Glazba]

1033
00:55:52,920 --> 00:55:54,330
[pljesak]

1034
00:55:54,330 --> 00:55:57,409
[Glazba]

1035
00:55:59,260 --> 00:56:04,079
[pljesak]

1036
00:56:04,079 --> 00:56:06,480
Pretpostavljam da želim reći da ti

1037
00:56:06,480 --> 00:56:08,160
razgovarajte s nekoliko ljudi kod kojih idete

1038
00:56:08,160 --> 00:56:10,079
dobiti nekoliko različitih vrsta odgovora

1039
00:56:10,079 --> 00:56:12,480
hej ako netko zna

1040
00:56:12,480 --> 00:56:16,040
nešto 100 posto sigurno javi mi

1041
00:56:16,040 --> 00:56:20,099
sada bazu igra Keith koristeći a

1042
00:56:20,099 --> 00:56:23,520
Precizna baza ima Keithovo udaranje

1043
00:56:23,520 --> 00:56:26,400
pogon je znao što ima u glavi

1044
00:56:26,400 --> 00:56:29,520
za ovaj zvuk i on ga je transponirao

1045
00:56:29,520 --> 00:56:31,099
Keithov način

1046
00:56:31,099 --> 00:56:35,220
tako dobro nadopunjuje gitare kao

1047
00:56:35,220 --> 00:56:38,839
Puštam YouTube kanal HJ recenzije

1048
00:56:38,839 --> 00:56:42,119
dekonstruirajući Jumping Jacka Flasha koji

1049
00:56:42,119 --> 00:56:44,099
izolira tragove što je stvarno

1050
00:56:44,099 --> 00:56:45,839
divno za čuti

1051
00:56:45,839 --> 00:56:48,839
mi ovdje osim baze naravno mi

1052
00:56:48,839 --> 00:56:50,750
čuj Charlie

1053
00:56:50,750 --> 00:57:10,079
[Glazba]

1054
00:57:10,079 --> 00:57:12,059
sada ću te igrati ranije

1055
00:57:12,059 --> 00:57:14,520
verzija pjesme

1056
00:57:14,520 --> 00:57:17,160
a ovdje čujemo drugačiji pristup

1057
00:57:17,160 --> 00:57:18,780
početak s melodijom i

1058
00:57:18,780 --> 00:57:20,710
dostava

1059
00:57:20,710 --> 00:57:25,280
[Glazba]

1060
00:57:25,280 --> 00:57:28,270
[pljesak]

1061
00:57:28,270 --> 00:57:29,360
[Glazba]

1062
00:57:29,360 --> 00:57:30,310
[pljesak]

1063
00:57:30,310 --> 00:57:35,819
[Glazba]

1064
00:57:35,819 --> 00:57:36,900
poprijeko

1065
00:57:36,900 --> 00:58:00,150
[Glazba]

1066
00:58:00,440 --> 00:58:03,430
u redu

1067
00:58:03,430 --> 00:58:08,429
[Glazba]

1068
00:58:11,220 --> 00:58:13,980
puno Yeah Yeahs i moji umovi i

1069
00:58:13,980 --> 00:58:16,920
jada postoji i kasnije na drugom

1070
00:58:16,920 --> 00:58:17,950
pazi to

1071
00:58:17,950 --> 00:58:34,050
[Glazba]

1072
00:58:37,799 --> 00:58:40,260
ponovo

1073
00:58:40,260 --> 00:58:43,389
[Glazba]

1074
00:58:44,480 --> 00:58:47,110
nemoj zaboraviti

1075
00:58:47,110 --> 00:58:49,260
[Glazba]

1076
00:58:49,260 --> 00:58:52,020
outro ovdje čujemo malo

1077
00:58:52,020 --> 00:58:54,420
više vodi i također svira melotron

1078
00:58:54,420 --> 00:58:56,760
o čemu ću više govoriti na kraju

1079
00:58:56,760 --> 00:58:59,040
ima mješovito pjevanje kako to radi

1080
00:58:59,040 --> 00:59:02,099
uživo i ovdje je hladni završetak

1081
00:59:02,099 --> 00:59:04,420
također i način na koji to rade uživo

1082
00:59:04,420 --> 00:59:15,130
[Glazba]

1083
00:59:15,130 --> 00:59:15,630
[pljesak]

1084
00:59:15,630 --> 00:59:19,739
[Glazba]

1085
00:59:22,859 --> 00:59:25,799
ovo što ću sada uzeti je verzija

1086
00:59:25,799 --> 00:59:29,099
Jumping Jack Flash iz 2021. stereo

1087
00:59:29,099 --> 00:59:30,180
remix

1088
00:59:30,180 --> 00:59:33,660
izradio Tiger Rogers na YouTubeu tiger

1089
00:59:33,660 --> 00:59:37,380
Rogers je napravio stereo verziju koja je

1090
00:59:37,380 --> 00:59:41,160
stvarno cool puno odvajanja daje

1091
00:59:41,160 --> 00:59:43,020
dobra ti je ideja čuti sve

1092
00:59:43,020 --> 00:59:44,700
jasno

1093
00:59:44,700 --> 00:59:48,059
pa počnimo ovo kako bi zabava bila

1094
00:59:48,059 --> 00:59:50,460
početi s dvije distorzirane gitare

1095
00:59:50,460 --> 00:59:53,400
Akustika sa svake strane dolazi bas

1096
00:59:53,400 --> 00:59:56,280
tutnjajući uz bubnjeve

1097
00:59:56,280 --> 00:59:58,440
a onda odmah nakon gledanja čujemo

1098
00:59:58,440 --> 00:59:59,700
glasovir

1099
00:59:59,700 --> 01:00:02,099
podižući ga i igrajući se s

1100
01:00:02,099 --> 01:00:04,740
gitare umiješane upravo u tom sloju

1101
01:00:04,740 --> 01:00:06,660
čut ćete nešto što zvuči kao a

1102
01:00:06,660 --> 01:00:08,099
lavež psa

1103
01:00:08,099 --> 01:00:10,980
to je Keith koji svira na podu

1104
01:00:10,980 --> 01:00:13,330
ponavlja kroz pjesmu

1105
01:00:13,330 --> 01:00:16,850
[Glazba]

1106
01:00:16,850 --> 01:00:20,429
[pljesak]

1107
01:00:20,990 --> 01:00:27,740
[Glazba]

1108
01:00:27,740 --> 01:00:31,040
pazi to

1109
01:00:32,099 --> 01:00:35,520
a ono što je fantastično je kako Mick

1110
01:00:35,520 --> 01:00:38,819
donosi pjesmu i kako on produžuje

1111
01:00:38,819 --> 01:00:42,270
kao svaka treća riječ i zadnja riječ

1112
01:00:42,270 --> 01:00:57,200
[Glazba]

1113
01:00:57,200 --> 01:01:00,059
kombinacija zvuka svega sa

1114
01:01:00,059 --> 01:01:02,550
one vode za refren

1115
01:01:02,550 --> 01:01:09,599
[Glazba]

1116
01:01:13,150 --> 01:01:18,140
[Glazba]

1117
01:01:18,140 --> 01:01:19,920
hvala vam

1118
01:01:19,920 --> 01:01:22,500
ono što ću sada igrati je a

1119
01:01:22,500 --> 01:01:23,880
dekonstrukcija

1120
01:01:23,880 --> 01:01:27,119
izolacija dionice gitare tijekom

1121
01:01:27,119 --> 01:01:30,180
refren pa poslušajmo

1122
01:01:30,180 --> 01:01:32,160
to i moći ćete se nadati

1123
01:01:32,160 --> 01:01:34,920
čujte Nashville ugađanje to više

1124
01:01:34,920 --> 01:01:37,220
visina tona

1125
01:01:38,220 --> 01:01:41,300
[Glazba]

1126
01:01:43,319 --> 01:01:44,000
stranim

1127
01:01:44,000 --> 01:01:50,190
[Glazba]

1128
01:01:50,190 --> 01:01:53,280
[pljesak]

1129
01:01:53,599 --> 01:01:56,339
to this interludie this break here with

1130
01:01:56,339 --> 01:01:59,760
ovaj gitarski riff koji se događa što mi je

1131
01:01:59,760 --> 01:02:02,400
jednostavno fantastično i tako dobro pozicionirano

1132
01:02:02,400 --> 01:02:07,140
ali i ono što je stvarno golemo a ne

1133
01:02:07,140 --> 01:02:09,540
primjetan dok se ne počnete fokusirati

1134
01:02:09,540 --> 01:02:13,440
to su Maracas sada ih čujete prave

1135
01:02:13,440 --> 01:02:15,780
jasno

1136
01:02:15,780 --> 01:02:17,910
stranim

1137
01:02:17,910 --> 01:02:34,949
[Glazba]

1138
01:02:38,119 --> 01:02:41,520
sada kraj izlaza gdje su svi

1139
01:02:41,520 --> 01:02:44,099
počnite pjevati Jumping Jack Flash

1140
01:02:44,099 --> 01:02:46,619
i kako eksplozija odjednom

1141
01:02:46,619 --> 01:02:49,920
udara s tim organom i onda također

1142
01:02:49,920 --> 01:02:53,760
the melotron by Bill beautiful beautiful

1143
01:02:53,760 --> 01:02:57,299
i samo se produži i ide i

1144
01:02:57,299 --> 01:03:00,359
Nestaje i taj melatron na samom

1145
01:03:00,359 --> 01:03:03,119
na kraju te zadnje male bilješke su samo

1146
01:03:03,119 --> 01:03:06,000
nevjerojatno što sam slušao ovu pjesmu

1147
01:03:06,000 --> 01:03:08,640
stotinu puta u ovom proteklom mjesecu

1148
01:03:08,640 --> 01:03:11,040
radi na ovom projektu

1149
01:03:11,040 --> 01:03:14,400
Ne mogu se zasititi toga i dalje je

1150
01:03:14,400 --> 01:03:17,720
zadivljujući ovaj kamen

1151
01:03:22,310 --> 01:03:25,380
[pljesak]

1152
01:03:28,840 --> 01:03:33,420
[Glazba]

1153
01:03:33,420 --> 01:03:35,510
[pljesak]

1154
01:03:35,510 --> 01:03:42,970
[Glazba]

1155
01:03:42,970 --> 01:03:45,310
[pljesak]

1156
01:03:45,310 --> 01:03:49,980
[Glazba]

1157
01:03:49,980 --> 01:03:51,470
[pljesak]

1158
01:03:51,470 --> 01:04:00,469
[Glazba]

1159
01:04:01,859 --> 01:04:05,099
Pročitao sam par komada gdje su neki ljudi

1160
01:04:05,099 --> 01:04:08,160
mislio da je Nikki na melotronu

1161
01:04:08,160 --> 01:04:12,059
ali vjerujući da je Bill Bill je posjedovao

1162
01:04:12,059 --> 01:04:16,380
melotron on ga je dobio 1966. mi

1163
01:04:16,380 --> 01:04:18,900
znam da je i Brian igrao jedan i

1164
01:04:18,900 --> 01:04:22,200
pridonio je ranim pjesmama Stonea

1165
01:04:22,200 --> 01:04:25,200
hahaha

1166
01:04:30,170 --> 01:04:40,360
[Glazba]

1167
01:04:41,400 --> 01:04:43,619
to je kraj uvijek je ključ za kraj I

1168
01:04:43,619 --> 01:04:45,359
volite to tako da je to i onda ste

1169
01:04:45,359 --> 01:04:48,020
dobio vrstu

1170
01:04:51,680 --> 01:04:55,680
vau nevjerojatno

1171
01:05:00,540 --> 01:05:02,700
hvala vam

1172
01:05:02,700 --> 01:05:05,220
pa evo još jedne verzije Jumpinga

1173
01:05:05,220 --> 01:05:08,339
Jack Flash ovaj je imao duži outro

1174
01:05:08,339 --> 01:05:10,920
i možete čuti više o melotronu

1175
01:05:10,920 --> 01:05:14,000
što mislim da je divno čuti

1176
01:05:14,000 --> 01:05:16,850
izvolite

1177
01:05:16,850 --> 01:05:35,180
[Glazba]

1178
01:05:48,960 --> 01:05:51,960
stranim

1179
01:05:53,010 --> 01:05:56,269
[Glazba]

1180
01:05:57,240 --> 01:06:00,240
tekstura

1181
01:06:03,059 --> 01:06:06,180
nije mu se baš svidjela sesija

1182
01:06:06,180 --> 01:06:07,980
nasumično za njega

1183
01:06:07,980 --> 01:06:10,980
krajnji rezultat je bio dobar, ali ne sasvim

1184
01:06:10,980 --> 01:06:12,720
što je htio

1185
01:06:12,720 --> 01:06:15,839
Fidelity nije bio tako sjajan, ne baš

1186
01:06:15,839 --> 01:06:19,140
u tvoje lice sada bi Keith komentirao i

1187
01:06:19,140 --> 01:06:21,420
spomenuti njegovu stranu glazbenog stila

1188
01:06:21,420 --> 01:06:25,680
kvaliteta rekao bi da je gotovo arapska

1189
01:06:25,680 --> 01:06:29,579
ili vrlo stara arhaična klasična

1190
01:06:29,579 --> 01:06:33,059
postavke akorda u kojima možete samo čuti

1191
01:06:33,059 --> 01:06:36,780
Gregorijanski napjevi ili nešto slično

1192
01:06:36,780 --> 01:06:39,900
to je čudna mješavina vašeg stvarnog

1193
01:06:39,900 --> 01:06:43,380
rokenrol i ujedno ovo

1194
01:06:43,380 --> 01:06:46,160
čudan odjek vrlo vrlo drevne glazbe

1195
01:06:46,160 --> 01:06:48,720
da ni ne znaš

1196
01:06:48,720 --> 01:06:51,720
prilično duboko i duboko

1197
01:06:51,720 --> 01:06:55,740
tip komentara koji ću pokušati

1198
01:06:55,740 --> 01:06:57,780
pokušati iznijeti ono što je moguće

1199
01:06:57,780 --> 01:07:00,780
Keith se poziva na ovo

1200
01:07:00,780 --> 01:07:02,370
analogija

1201
01:07:02,370 --> 01:07:15,319
[Glazba]

1202
01:07:15,319 --> 01:07:18,960
sada dovedite moju istragu ovdje

1203
01:07:18,960 --> 01:07:20,700
neki ljudi koji tu razmišljaju možda

1204
01:07:20,700 --> 01:07:23,880
biti neka harmonika svira možda je

1205
01:07:23,880 --> 01:07:25,200
Briane

1206
01:07:25,200 --> 01:07:28,319
Ne čujem harmoniku

1207
01:07:28,319 --> 01:07:30,260
ali tko zna ovo je samo misao

1208
01:07:30,260 --> 01:07:34,440
mogućnost, ali tko zna za sigurno

1209
01:07:34,440 --> 01:07:37,020
ovo je moj stav ako je Brian napravio nešto

1210
01:07:37,020 --> 01:07:39,780
magični rad doprinos Skakanje

1211
01:07:39,780 --> 01:07:42,660
Jack Flash, mislim da bi kamenje

1212
01:07:42,660 --> 01:07:45,900
priznao ovo misle o tome oni

1213
01:07:45,900 --> 01:07:48,980
bili su oduševljeni kada su čuli Briana

1214
01:07:48,980 --> 01:07:53,099
pridonoseći nikakvim očekivanjima oni

1215
01:07:53,099 --> 01:07:55,619
to s ponosom priznajem

1216
01:07:55,619 --> 01:07:58,319
ako je imao ikakav pozitivan doprinos

1217
01:07:58,319 --> 01:08:01,859
za Jumping Jacka Flasha siguran sam da bi

1218
01:08:01,859 --> 01:08:04,260
spomenuti su samo s moje strane

1219
01:08:04,260 --> 01:08:06,660
Skačući Jack Flash bio bi gotov

1220
01:08:06,660 --> 01:08:09,299
20. travnja u Olympicu

1221
01:08:09,299 --> 01:08:12,180
a evo i bonus pokrivenosti

1222
01:08:12,180 --> 01:08:15,480
B-strana ovog kuta podređenog

1223
01:08:15,480 --> 01:08:16,500
Mjesec

1224
01:08:16,500 --> 01:08:18,799
make on vocal Keith ritam gitara

1225
01:08:18,799 --> 01:08:23,040
prateći vokal Brian sopran saksofon

1226
01:08:23,040 --> 01:08:26,819
Bill i bas Charlie Nikki na orguljama

1227
01:08:26,819 --> 01:08:30,179
možda klavir i Jimmy malo natrag

1228
01:08:30,179 --> 01:08:33,839
vokal to je rađeno 29. ožujka u

1229
01:08:33,839 --> 01:08:36,540
iste sjednice ožujak i travanj

1230
01:08:36,540 --> 01:08:39,060
to je posljednja prijetnja ovog psihodelika

1231
01:08:39,060 --> 01:08:43,560
67 sotonističkih seansi na kojima se radilo

1232
01:08:43,560 --> 01:08:47,279
srpnja i listopada 67. poznat i kao

1233
01:08:47,279 --> 01:08:49,080
dijete Mjeseca

1234
01:08:49,080 --> 01:08:50,819
RMK

1235
01:08:50,819 --> 01:08:53,699
i puno rasprava i foruma na

1236
01:08:53,699 --> 01:08:58,319
što je RMK mislio remake opaska Allen

1237
01:08:58,319 --> 01:09:02,279
Kleinova kći Robin Mary Klein ovo

1238
01:09:02,279 --> 01:09:04,859
napjev uz bljesak su napjevi koji

1239
01:09:04,859 --> 01:09:07,259
nije odgovaralo kamo su krenuli

1240
01:09:07,259 --> 01:09:08,759
s prosjacima

1241
01:09:08,759 --> 01:09:12,420
Trial of the moon objavljeno je više o

1242
01:09:12,420 --> 01:09:15,420
kompilacijski albumi s ovim na B

1243
01:09:15,420 --> 01:09:18,000
strana skoka i Jack Flash to je a

1244
01:09:18,000 --> 01:09:21,120
drugačija verzija od policije

1245
01:09:21,120 --> 01:09:24,000
imaš to na Hot Rocksu

1246
01:09:24,000 --> 01:09:26,580
kolekcija samaca

1247
01:09:26,580 --> 01:09:29,880
a pjesma je imala nekoliko izlaza i a

1248
01:09:29,880 --> 01:09:32,880
četiri minute akustične verzije gitare i

1249
01:09:32,880 --> 01:09:35,940
Nikki na klaviru, Brian nije rano

1250
01:09:35,940 --> 01:09:37,199
uzima

1251
01:09:37,199 --> 01:09:40,799
ovo je izlaz koji nema

1252
01:09:40,799 --> 01:09:43,140
svi glavni vokali ovo su iz ožujka

1253
01:09:43,140 --> 01:09:46,859
68. ovo je fantastično i ova verzija

1254
01:09:46,859 --> 01:09:50,940
mogao stati u on Prosjaci vole čuti kako

1255
01:09:50,940 --> 01:09:53,640
Nikki je na ovome i akustičnoj gitari

1256
01:09:53,640 --> 01:09:57,300
je izvrstan i višestruki Keith svira

1257
01:09:57,300 --> 01:10:00,660
njegova crna ljepotica Les Paul Custom sada

1258
01:10:00,660 --> 01:10:03,660
naslikao jedan onaj koji je sam naslikao a

1259
01:10:03,660 --> 01:10:04,640
psihodelično

1260
01:10:04,640 --> 01:10:08,040
[Glazba]

1261
01:10:08,040 --> 01:10:11,640
ugađanje gitare je otvoreno za neke ljude

1262
01:10:11,640 --> 01:10:15,719
pusti to u otvorenom D oni koriste Vox AC

1263
01:10:15,719 --> 01:10:18,960
30 ampera i nisam sto posto siguran

1264
01:10:18,960 --> 01:10:22,320
ali možda postoji i druga gitara

1265
01:10:22,320 --> 01:10:25,320
Brian će svirati saksofon sopran saksofon

1266
01:10:25,320 --> 01:10:28,199
i možemo čuti Briana na ovom izoliranom

1267
01:10:28,199 --> 01:10:31,320
pjesma upravo ovdje od Briana Jonesa

1268
01:10:31,320 --> 01:10:33,780
resurs YouTube kanal

1269
01:10:33,780 --> 01:10:37,500
taj visoki ton je Brian, to je violina

1270
01:10:37,500 --> 01:10:39,800
zvuk

1271
01:10:43,320 --> 01:10:44,699
[Glazba]

1272
01:10:44,699 --> 01:10:48,540
Billova baza je tako očita i to je

1273
01:10:48,540 --> 01:10:50,340
fuzz baza

1274
01:10:50,340 --> 01:10:52,500
ovo možete lako odabrati i to

1275
01:10:52,500 --> 01:10:54,840
zvuči kao glavni instrument

1276
01:10:54,840 --> 01:10:57,900
početak melodije čujemo neki

1277
01:10:57,900 --> 01:11:01,620
tip gitarskog akorda dugotrajno pjevušenje ili

1278
01:11:01,620 --> 01:11:04,020
kraj akorda i blijedi u

1279
01:11:04,020 --> 01:11:06,500
Keith

1280
01:11:07,490 --> 01:11:11,820
[Glazba]

1281
01:11:11,820 --> 01:11:15,540
dočekao ono što meni klinci zvuči

1282
01:11:15,540 --> 01:11:18,960
igraju se na ulici, ali nema ih

1283
01:11:18,960 --> 01:11:22,679
nekoliko misli Mick Keith ne, ali je

1284
01:11:22,679 --> 01:11:26,100
Jimmy i to je teško razaznati, ali što

1285
01:11:26,100 --> 01:11:29,640
on govori da je jadan kreten Društvo ću

1286
01:11:29,640 --> 01:11:33,780
budi sretan što mogu platiti porez ako sam napušen

1287
01:11:33,780 --> 01:11:36,719
da, ovo mora biti neka vrsta unutrašnjosti

1288
01:11:36,719 --> 01:11:40,620
šala ili samo napušen igrat ću

1289
01:11:40,620 --> 01:11:43,940
dva puta za tebe ovdje

1290
01:11:45,179 --> 01:11:46,739
sjetiti se

1291
01:11:46,739 --> 01:11:48,790
stranim

1292
01:11:48,790 --> 01:11:53,100
[Glazba]

1293
01:11:58,390 --> 01:12:03,940
[Glazba]

1294
01:12:03,940 --> 01:12:07,020
[pljesak]

1295
01:12:10,110 --> 01:12:12,420
[Glazba]

1296
01:12:12,420 --> 01:12:16,140
sada lirski ima blagi tok a

1297
01:12:16,140 --> 01:12:17,159
priča

1298
01:12:17,159 --> 01:12:21,659
a mjesečevo dijete je astrološki znak a

1299
01:12:21,659 --> 01:12:24,000
romantična pjesma od Micka do Barryja

1300
01:12:24,000 --> 01:12:26,699
vjerojatno

1301
01:12:26,699 --> 01:12:29,940
Mislim da je imala neki utjecaj na ovo

1302
01:12:29,940 --> 01:12:31,920
neka ih sastave

1303
01:12:31,920 --> 01:12:34,980
kombinacija način na koji veliki liričari

1304
01:12:34,980 --> 01:12:35,420
učiniti

1305
01:12:35,420 --> 01:12:54,540
[Glazba]

1306
01:12:54,540 --> 01:12:58,010
[smijeh]

1307
01:12:58,010 --> 01:13:02,869
[Glazba]

1308
01:13:03,000 --> 01:13:05,280
Ranije sam spomenuo o

1309
01:13:05,280 --> 01:13:06,300
vremenska linija

1310
01:13:06,300 --> 01:13:08,820
i slijed događaja koji su se dogodili

1311
01:13:08,820 --> 01:13:11,400
i to je bio mali izazov pa ću

1312
01:13:11,400 --> 01:13:14,580
samo reci jednu stvar kao što piše u Billovoj knjizi

1313
01:13:14,580 --> 01:13:16,860
nešto jedan drugi izvor kaže jedan

1314
01:13:16,860 --> 01:13:19,020
stvar dva druga izvora govore nešto

1315
01:13:19,020 --> 01:13:21,420
drugo i to se odnosi na snimanje

1316
01:13:21,420 --> 01:13:24,420
promo filmovi njih troje

1317
01:13:24,420 --> 01:13:28,739
pa ostavimo po strani točne datume

1318
01:13:28,739 --> 01:13:32,280
ne ići tamo u nizu koji sam samo

1319
01:13:32,280 --> 01:13:34,040
dat ću vam informacije o tome

1320
01:13:34,040 --> 01:13:36,540
Mick bi radio s Jimmyjem Millerom i

1321
01:13:36,540 --> 01:13:39,179
također pomaže Glenn Johns

1322
01:13:39,179 --> 01:13:41,520
inženjering bi radio na podlozi

1323
01:13:41,520 --> 01:13:43,460
pjesme za promotivne videe

1324
01:13:43,460 --> 01:13:48,300
u režiji Michaela Lindsaya Hogga

1325
01:13:48,300 --> 01:13:51,380
Michael nas je pokrenuo s 24 godine

1326
01:13:51,380 --> 01:13:54,480
režirajući neke epizode britanskog

1327
01:13:54,480 --> 01:13:57,659
TV emisija Ready Steady go

1328
01:13:57,659 --> 01:14:00,480
ovdje je upoznao kamenje Michael

1329
01:14:00,480 --> 01:14:02,400
rođen je u New Yorku i njegov otac

1330
01:14:02,400 --> 01:14:05,280
bio je engleski barunet Edward Lindsay

1331
01:14:05,280 --> 01:14:07,980
Hogg i njegova majka irska glumica

1332
01:14:07,980 --> 01:14:11,340
Geraldine Fitzgerald

1333
01:14:11,340 --> 01:14:14,699
upoznao bi mnoge poznate osobe poput

1334
01:14:14,699 --> 01:14:16,980
Charlie Chaplin Betty Davis Lawrence

1335
01:14:16,980 --> 01:14:20,159
Olivier Humphrey Bogart Henry Miller

1336
01:14:20,159 --> 01:14:24,060
sada bi Michael nakon Ready Steadyja otišao

1337
01:14:24,060 --> 01:14:27,300
raditi s kamenjem na ovoj promociji

1338
01:14:27,300 --> 01:14:31,470
a nakon ovog još 15 drugih videa

1339
01:14:31,470 --> 01:14:37,710
[Glazba]

1340
01:14:37,710 --> 01:14:40,789
[pljesak]

1341
01:14:41,230 --> 01:14:42,110
[Glazba]

1342
01:14:42,110 --> 01:14:44,860
[pljesak]

1343
01:14:44,860 --> 01:14:48,870
[Glazba]

1344
01:14:48,870 --> 01:14:49,210
[pljesak]

1345
01:14:49,210 --> 01:14:59,219
[Glazba]

1346
01:14:59,219 --> 01:15:01,739
sada za oba videa

1347
01:15:01,739 --> 01:15:04,560
Keith bi koristio svoj Gibson custom crni

1348
01:15:04,560 --> 01:15:08,100
ljepota Les Paul ona koju je naslikao

1349
01:15:08,100 --> 01:15:12,360
a Brian koristi Keithov plavi Fender televizor

1350
01:15:12,360 --> 01:15:15,360
Bill koristi svoju podlogu za smoking u Dallasu i

1351
01:15:15,360 --> 01:15:19,040
Charlie je Ludwig

1352
01:15:19,679 --> 01:15:21,860
prvi video je snimljen rano poslijepodne

1353
01:15:21,860 --> 01:15:25,260
prilično osnovno pucanje ubacivanje nekih

1354
01:15:25,260 --> 01:15:27,600
posebna rasvjeta tu i tamo su

1355
01:15:27,600 --> 01:15:30,380
u mraku s Rasvjetom na licima

1356
01:15:30,380 --> 01:15:33,840
lip synced i kao što ste čuli otvara se

1357
01:15:33,840 --> 01:15:35,699
s verzijom Jumping Jack Flasha

1358
01:15:35,699 --> 01:15:37,820
govoreći da da da da

1359
01:15:37,820 --> 01:15:41,460
ima dosta krupnih planova Micka

1360
01:15:41,460 --> 01:15:45,000
malo labavije kako video ide

1361
01:15:45,000 --> 01:15:47,420
stranim

1362
01:15:55,860 --> 01:15:58,020
neki bi izvori rekli da je

1363
01:15:58,020 --> 01:16:00,659
oslikana lica drugi promo video snimljen na

1364
01:16:00,659 --> 01:16:03,840
drugi dan je učinjen na isti dan kao

1365
01:16:03,840 --> 01:16:06,000
dijete Mjeseca

1366
01:16:06,000 --> 01:16:07,699
koja je urađena na selu

1367
01:16:07,699 --> 01:16:10,739
rekao je Michael u nekom trenutku

1368
01:16:10,739 --> 01:16:13,140
svi su bili u pauzi za obrok on bi

1369
01:16:13,140 --> 01:16:15,239
vidi Briana kako sjedi za stolom za šminkanje

1370
01:16:15,239 --> 01:16:17,340
i igranje okolo

1371
01:16:17,340 --> 01:16:19,679
s bojama šminke i njihovim nanošenjem

1372
01:16:19,679 --> 01:16:21,960
na lice i zatim ih obrisati i

1373
01:16:21,960 --> 01:16:24,239
samo isprobavanje počeo je Michael

1374
01:16:24,239 --> 01:16:27,000
razmišljajući o izgledu i onda ispričao

1375
01:16:27,000 --> 01:16:28,860
Mick Keith

1376
01:16:28,860 --> 01:16:31,679
Bill i Charlie da daju šminku a

1377
01:16:31,679 --> 01:16:33,060
pokušaj također

1378
01:16:33,060 --> 01:16:35,340
Michael je tamo imao šminkera

1379
01:16:35,340 --> 01:16:36,719
pomagati

1380
01:16:36,719 --> 01:16:39,719
i jednostavno su svi ušli u to

1381
01:16:39,719 --> 01:16:42,120
sada se moramo sjetiti da je Mick nosio

1382
01:16:42,120 --> 01:16:45,360
šminka u 2000 svjetlosnih godina od kuće i

1383
01:16:45,360 --> 01:16:48,000
izgledao je blizu te slike s

1384
01:16:48,000 --> 01:16:50,340
pruge i oblike na njegovim prsima

1385
01:16:50,340 --> 01:16:53,159
Keith bi nosio zlatnu šminku

1386
01:16:53,159 --> 01:16:56,280
Brian zelene nijanse

1387
01:16:56,280 --> 01:16:59,219
Bill i Charlie bi opteretili oči

1388
01:16:59,219 --> 01:17:01,920
šminka nakon što su završili izgledali su

1389
01:17:01,920 --> 01:17:05,219
okolo i pronašli su neke velike rekvizite

1390
01:17:05,219 --> 01:17:07,800
sunčane naočale svemirskih vanzemaljaca

1391
01:17:07,800 --> 01:17:10,620
tako da je sada s ovim izgledom pružio a

1392
01:17:10,620 --> 01:17:12,659
ljepša dodatna dimenzija za

1393
01:17:12,659 --> 01:17:13,980
vizuali

1394
01:17:13,980 --> 01:17:17,300
zajedno sa šminkom

1395
01:17:20,820 --> 01:17:22,800
pred kraj videa volim kako

1396
01:17:22,800 --> 01:17:24,960
Mick je Barefoot u ovome i skače

1397
01:17:24,960 --> 01:17:26,159
okolo

1398
01:17:26,159 --> 01:17:29,280
i kamenje bi voljelo ovu verziju

1399
01:17:29,280 --> 01:17:32,460
a kako video mediji dobro idu znamo

1400
01:17:32,460 --> 01:17:35,159
ono što 80-e većina nas zna s

1401
01:17:35,159 --> 01:17:37,140
Video zapisi iz 80-ih su

1402
01:17:37,140 --> 01:17:41,460
a posebno tada u sredstvu za

1403
01:17:41,460 --> 01:17:45,600
promovirati bendove i umjetnike u javnosti

1404
01:17:45,600 --> 01:17:49,260
ovo je bilo ogromno u to vrijeme i kasnije

1405
01:17:49,260 --> 01:17:52,199
60-ih je bio još veći tim veći

1406
01:17:52,199 --> 01:17:55,140
bendovi su mogli iskoristiti ovu promociju

1407
01:17:55,140 --> 01:17:57,960
alate koje bi javnost mogla vidjeti

1408
01:17:57,960 --> 01:18:01,500
ovi videozapisi prikazani na vrhu TV emisija

1409
01:18:01,500 --> 01:18:05,100
od pop shindig hullabaloo i u

1410
01:18:05,100 --> 01:18:09,800
U.S. humoristična emisija braće Smothers

1411
01:18:10,080 --> 01:18:13,199
ovaj video prikazan je na vrhuncu svibnja

1412
01:18:13,199 --> 01:18:19,280
23. 6. lipnja i 25. prosinca

1413
01:18:19,739 --> 01:18:21,719
za one od vas koji ste ovo vidjeli

1414
01:18:21,719 --> 01:18:23,280
video

1415
01:18:23,280 --> 01:18:25,320
znate kako

1416
01:18:25,320 --> 01:18:30,000
češkanje po glavi je i čitanje gore

1417
01:18:30,000 --> 01:18:33,239
duboka značenja opet duhovna

1418
01:18:33,239 --> 01:18:36,000
astrološki

1419
01:18:36,000 --> 01:18:39,719
koji je pucao u prirodi Surreya u

1420
01:18:39,719 --> 01:18:42,060
šuma Epping

1421
01:18:42,060 --> 01:18:45,239
otvara ga glumica Eileen Atkins

1422
01:18:45,239 --> 01:18:48,000
ima prljavo lice i uplakana je

1423
01:18:48,000 --> 01:18:51,620
ona šeta šumom Dark Woods

1424
01:18:51,620 --> 01:18:55,020
na njoj je svjetlo

1425
01:18:55,020 --> 01:18:58,440
zatim snimak četiri kamena

1426
01:18:58,440 --> 01:19:02,659
blatna cesta s drvenim mostom

1427
01:19:03,040 --> 01:19:08,260
[Glazba]

1428
01:19:08,260 --> 01:19:10,180
[pljesak]

1429
01:19:10,180 --> 01:19:15,890
[Glazba]

1430
01:19:16,260 --> 01:19:18,719
Brian je trebao biti snimljen u

1431
01:19:18,719 --> 01:19:21,060
drvo ali kad je došlo vrijeme za snimanje

1432
01:19:21,060 --> 01:19:24,000
ovaj se izgubio negdje gdje je

1433
01:19:24,000 --> 01:19:27,480
odlutao sam Mick je bio

1434
01:19:27,480 --> 01:19:30,560
prilično ljut na Briana

1435
01:19:31,520 --> 01:19:35,520
promijenila se

1436
01:19:40,290 --> 01:19:43,420
[Glazba]

1437
01:19:44,460 --> 01:19:48,120
sada su se trebali pojaviti Mick i Keith

1438
01:19:48,120 --> 01:19:51,679
Jahanje konja u jednom trenutku

1439
01:19:55,750 --> 01:19:59,319
[Glazba]

1440
01:20:02,220 --> 01:20:05,040
[Glazba]

1441
01:20:05,040 --> 01:20:09,679
snima se kao kultni horor

1442
01:20:10,770 --> 01:20:13,969
[Glazba]

1443
01:20:14,640 --> 01:20:18,420
sada je kamenje bilo pozvano u nme

1444
01:20:18,420 --> 01:20:23,400
nove glazbene ekspresne ankete nagrade pokazuju da oni

1445
01:20:23,400 --> 01:20:24,659
bili pobjednik

1446
01:20:24,659 --> 01:20:28,080
ovo je bilo za 12. svibnja na Wembleyu ovo

1447
01:20:28,080 --> 01:20:32,640
nagrada bila je prestižna u Velikoj Britaniji 1953. godine

1448
01:20:32,640 --> 01:20:35,340
započeo netom nakon što je časopis bio

1449
01:20:35,340 --> 01:20:38,820
stvorio čak je i Elvis dobio nagradu u

1450
01:20:38,820 --> 01:20:41,880
1960. zapravo je poslao rukom pisanu

1451
01:20:41,880 --> 01:20:44,280
bilješku za prihvaćanje ipak

1452
01:20:44,280 --> 01:20:46,380
bili su pozvani i drugi polaznici

1453
01:20:46,380 --> 01:20:49,340
ovu emisiju za 12. Dusty Springfield

1454
01:20:49,340 --> 01:20:53,940
status quo potez krda Lulu iz BG-a

1455
01:20:53,940 --> 01:20:57,659
Cliff Richard i Sjene ali nažalost

1456
01:20:57,659 --> 01:21:01,440
reći da je domaćin bio Jimmy Seville

1457
01:21:01,440 --> 01:21:04,679
snimka je rijetka, a zvuka nema

1458
01:21:04,679 --> 01:21:07,100
prateći ga od sviranja kamenja

1459
01:21:07,100 --> 01:21:10,140
Roger Moore koji je bio popularan na TV-u

1460
01:21:10,140 --> 01:21:13,080
show pod nazivom Svetac bi uveo

1461
01:21:13,080 --> 01:21:16,320
kamenje i prihvatiti nagradu tako da

1462
01:21:16,320 --> 01:21:18,420
Stones je bio vrlo nervozan zbog ovoga

1463
01:21:18,420 --> 01:21:21,780
događaj koji nisu uvježbavali i samo

1464
01:21:21,780 --> 01:21:24,500
htio igrati Jumpin Jack Flash

1465
01:21:24,500 --> 01:21:27,480
ali kad su se jednom našli pred

1466
01:21:27,480 --> 01:21:29,520
vrištanje obožavatelja postalo je prekrasno

1467
01:21:29,520 --> 01:21:33,420
dočekali i osjetili onu ludu Vibru koju su

1468
01:21:33,420 --> 01:21:36,420
otišli u zadovoljštinu i dobili su a

1469
01:21:36,420 --> 01:21:39,540
stvarno dobar prijem Keith bi iskoristio svoj

1470
01:21:39,540 --> 01:21:43,040
Mjesec naslikao Gibsona bez Paula Briana es

1471
01:21:43,040 --> 01:21:46,679
330td Charlie the Ludwig Bill koristio je novi

1472
01:21:46,679 --> 01:21:49,860
Sunbird Vox Wyman baza

1473
01:21:49,860 --> 01:21:53,460
koristili su zid Vox pojačala

1474
01:21:53,460 --> 01:21:57,719
ali to su dijelili svi bendovi

1475
01:21:57,719 --> 01:22:01,260
sada bi Brian rekao u svibnju 68. što više ja

1476
01:22:01,260 --> 01:22:03,300
čuj Jumping Jack Flash što više ja

1477
01:22:03,300 --> 01:22:05,880
shvatiti da je pogrešno misliti da to dijete

1478
01:22:05,880 --> 01:22:08,219
mjeseca bila je komercijalnija strana

1479
01:22:08,219 --> 01:22:09,960
od samaca

1480
01:22:09,960 --> 01:22:13,500
imao je istu privlačnost kao i zadovoljstvo

1481
01:22:13,500 --> 01:22:16,199
i počinjem ga voljeti, volio bih

1482
01:22:16,199 --> 01:22:18,600
vrati se na pomisao da Brian svira

1483
01:22:18,600 --> 01:22:21,360
malo gitare u ovoj melodiji iako ne

1484
01:22:21,360 --> 01:22:22,020
Čujno

1485
01:22:22,020 --> 01:22:23,280
[Glazba]

1486
01:22:23,280 --> 01:22:26,280
vratite se na ispitivanje toga

1487
01:22:26,280 --> 01:22:29,820
Stranica Billove knjige koja se kotrlja s kamenjem

1488
01:22:29,820 --> 01:22:35,159
303 spominje Brian gitaru

1489
01:22:35,159 --> 01:22:37,739
pa ću brzo premotati

1490
01:22:37,739 --> 01:22:42,000
11. 12. prosinca 1968. snimanje filma

1491
01:22:42,000 --> 01:22:45,320
Rokenrol cirkus

1492
01:22:47,460 --> 01:22:50,460
zahvaljujući izvoru Brian Jones

1493
01:22:50,460 --> 01:22:53,640
Kanal na YouTubeu o ovoj informaciji tako

1494
01:22:53,640 --> 01:22:55,980
čuješ Brianovu izolaciju

1495
01:22:55,980 --> 01:22:58,260
Keith i Meg

1496
01:22:58,260 --> 01:23:00,360
slušajući ovo čuješ dvoje

1497
01:23:00,360 --> 01:23:04,140
gitare, to je dokaz da je Brian svirao

1498
01:23:04,140 --> 01:23:07,199
uživo na ovoj melodiji

1499
01:23:07,199 --> 01:23:09,540
njegova je poanta bila pokazati da Brianova

1500
01:23:09,540 --> 01:23:11,280
doprinos uživo

1501
01:23:11,280 --> 01:23:14,280
dokazati neke od onih koji sumnjaju

1502
01:23:14,280 --> 01:23:18,060
Brianova gitara ima niži bas zvuk

1503
01:23:18,060 --> 01:23:20,719
stvarno zvuči kao bas, ali nije

1504
01:23:20,719 --> 01:23:24,360
vrlo vrlo Bassy očiti drugi je

1505
01:23:24,360 --> 01:23:24,890
Keith

1506
01:23:24,890 --> 01:23:26,450
[Glazba]

1507
01:23:26,450 --> 01:23:29,540
[pljesak]

1508
01:23:32,280 --> 01:23:41,700
[Glazba]

1509
01:23:41,700 --> 01:23:43,920
[pljesak]

1510
01:23:43,920 --> 01:23:44,860
spustiti se

1511
01:23:44,860 --> 01:23:45,280
[pljesak]

1512
01:23:45,280 --> 01:24:16,589
[Glazba]

1513
01:24:18,260 --> 01:24:22,100
Pao sam

1514
01:24:25,080 --> 01:24:27,120
pa ono što sada želim učiniti je nešto

1515
01:24:27,120 --> 01:24:28,260
zabavno

1516
01:24:28,260 --> 01:24:30,060
Ja uvijek

1517
01:24:30,060 --> 01:24:32,699
bio zaintrigiran time kako Jumping Jack

1518
01:24:32,699 --> 01:24:35,460
Flash i evolucija pjesme

1519
01:24:35,460 --> 01:24:37,440
svirao uživo

1520
01:24:37,440 --> 01:24:40,440
prošao kroz razdoblja Micka Taylora do

1521
01:24:40,440 --> 01:24:42,540
Ronnie

1522
01:24:42,540 --> 01:24:45,960
i koliko je bio drugačiji od svih 69

1523
01:24:45,960 --> 01:24:48,739
put do Karen

1524
01:24:48,840 --> 01:24:51,719
u prezentaciji o tome kako su htjeli

1525
01:24:51,719 --> 01:24:53,219
igrati ga

1526
01:24:53,219 --> 01:24:55,980
Vaši različiti stilovi ovisno o

1527
01:24:55,980 --> 01:24:57,120
turneja

1528
01:24:57,120 --> 01:25:00,000
Dat ću malo okusa nekih od

1529
01:25:00,000 --> 01:25:02,219
verzije uživo i mogli smo čuti

1530
01:25:02,219 --> 01:25:04,930
njegov razvoj kroz godine

1531
01:25:04,930 --> 01:25:08,400
[pljesak]

1532
01:25:08,400 --> 01:25:11,340
pa će se sljedeći put igrati 1969

1533
01:25:11,340 --> 01:25:14,100
u Hyde Parku

1534
01:25:14,100 --> 01:25:16,920
bila je druga pjesma iz seta koji izvode

1535
01:25:16,920 --> 01:25:19,380
ne pusti taj akustični uvod

1536
01:25:19,380 --> 01:25:20,940
s gledajte ga

1537
01:25:20,940 --> 01:25:24,480
Mick Taylor sada je uključio Keitha u igru

1538
01:25:24,480 --> 01:25:27,480
otvoreni G Capo na četvrtom

1539
01:25:27,480 --> 01:25:29,840
Mick Taylor ne igra ništa

1540
01:25:29,840 --> 01:25:33,239
sofisticirani ne čujemo nikakav trag

1541
01:25:33,239 --> 01:25:36,140
tipa rifovi

1542
01:25:36,970 --> 01:25:40,219
[Glazba]

1543
01:25:40,219 --> 01:25:43,800
Mick gleda kako se spušta

1544
01:25:43,800 --> 01:25:46,260
Charlie i Bill izvode odličan ritam

1545
01:25:46,260 --> 01:25:49,620
a pjesma nema proširenu

1546
01:25:49,620 --> 01:25:50,560
outro

1547
01:25:50,560 --> 01:26:04,280
[Glazba]

1548
01:26:15,139 --> 01:26:18,260
u redu

1549
01:26:22,520 --> 01:26:26,699
tako da idemo u studeni 69 tijekom te turneje

1550
01:26:26,699 --> 01:26:30,060
Madison Square Garden da, uzmite svoje

1551
01:26:30,060 --> 01:26:33,840
Yaya je vani uvodna pjesma

1552
01:26:33,840 --> 01:26:37,080
natjerali smo Micka na nekoliko udaraca i on

1553
01:26:37,080 --> 01:26:40,320
je jednostavno besprijekoran zapravo bend je

1554
01:26:40,320 --> 01:26:42,840
besprijekorni oni su besprijekorni oni su tako

1555
01:26:42,840 --> 01:26:44,400
tijesno

1556
01:26:44,400 --> 01:26:45,430
hvala vam

1557
01:26:45,430 --> 01:26:48,579
[Glazba]

1558
01:26:49,440 --> 01:26:52,440
ali još uvijek nema tragova unaprijed ili tijekom

1559
01:26:52,440 --> 01:26:54,060
međuigre

1560
01:26:54,060 --> 01:26:58,020
a Micku se naposljetku čini da je toliko zaljubljen u to

1561
01:26:58,020 --> 01:27:02,159
ali ne mičući se onoliko koliko čujemo

1562
01:27:02,159 --> 01:27:05,820
kasnije je mgtaylor provalio u njegov stil

1563
01:27:05,820 --> 01:27:07,860
od vodi

1564
01:27:07,860 --> 01:27:11,270
ali nema dugog izlaza

1565
01:27:11,270 --> 01:27:17,100
[Glazba]

1566
01:27:17,100 --> 01:27:20,100
da

1567
01:27:21,170 --> 01:27:56,290
[Glazba]

1568
01:27:56,290 --> 01:28:00,340
[pljesak]

1569
01:28:02,340 --> 01:28:04,100
[Glazba]

1570
01:28:04,100 --> 01:28:05,780
[pljesak]

1571
01:28:05,780 --> 01:28:11,300
[Glazba]

1572
01:28:11,300 --> 01:28:12,860
STP

1573
01:28:12,860 --> 01:28:16,260
1972 Teksas

1574
01:28:16,260 --> 01:28:19,139
odsvirao pretposljednju pjesmu prije Street

1575
01:28:19,139 --> 01:28:21,420
Fighting Man sada

1576
01:28:21,420 --> 01:28:23,340
pravo u riff

1577
01:28:23,340 --> 01:28:26,960
Keith sa svojim otvorenim G

1578
01:28:30,450 --> 01:28:33,489
[Glazba]

1579
01:28:33,659 --> 01:28:35,750
u redu

1580
01:28:35,750 --> 01:28:40,180
[pljesak]

1581
01:28:40,180 --> 01:28:45,300
[Glazba]

1582
01:28:45,300 --> 01:28:48,419
[pljesak]

1583
01:28:48,660 --> 01:29:07,039
[Glazba]

1584
01:29:10,500 --> 01:29:13,860
Bobi lupa u tamburu

1585
01:29:13,860 --> 01:29:18,600
puna kombinacija gitare vrlo gusta ovdje

1586
01:29:18,600 --> 01:29:22,920
Micku je super udobno skakutati s tobom

1587
01:29:22,920 --> 01:29:24,900
čuti klavir

1588
01:29:24,900 --> 01:29:32,840
[Glazba]

1589
01:29:34,739 --> 01:29:37,199
nakon refrena u koji ulazi Mick Taylor

1590
01:29:37,199 --> 01:29:39,060
njegovo kidanje

1591
01:29:39,060 --> 01:29:42,480
olovo za trganje s kojim Lexi radi

1592
01:29:42,480 --> 01:29:46,760
Mick i njegov Jagger skaču

1593
01:29:56,360 --> 01:29:56,650
[pljesak]

1594
01:29:56,650 --> 01:30:14,460
[Glazba]

1595
01:30:14,460 --> 01:30:17,159
vidimo da Keith to stvarno osjeća i ti

1596
01:30:17,159 --> 01:30:19,980
mogao vidjeti njegovu ljubav prema ovoj melodiji

1597
01:30:19,980 --> 01:30:22,520
još nema pomoćnih vokala

1598
01:30:22,520 --> 01:30:33,060
[Glazba]

1599
01:30:33,060 --> 01:30:35,360
stranim

1600
01:30:36,560 --> 01:30:40,380
Jack Flash live verzije su još uvijek

1601
01:30:40,380 --> 01:30:43,600
traje oko 3 minute i 45 sekundi

1602
01:30:43,600 --> 01:30:46,680
[pljesak]

1603
01:30:46,680 --> 01:30:49,819
[Glazba]

1604
01:31:05,520 --> 01:31:08,460
hoće li sada doći do 73

1605
01:31:08,460 --> 01:31:11,580
bruxelleska afera zvuk

1606
01:31:11,580 --> 01:31:15,120
ban gura ovo i čujemo Keitha

1607
01:31:15,120 --> 01:31:18,120
žlijebljenje

1608
01:31:20,110 --> 01:31:23,300
[Glazba]

1609
01:31:25,139 --> 01:31:27,980
u redu

1610
01:31:39,659 --> 01:31:42,980
naša škola

1611
01:31:49,860 --> 01:31:52,620
Keith gura ovaj riff ubacujući a

1612
01:31:52,620 --> 01:31:55,320
nekoliko sitnih ukrasa unutra a

1613
01:31:55,320 --> 01:31:59,760
malo drugačije, jasnije se miješa na njemu

1614
01:31:59,760 --> 01:32:02,580
a on je u transu

1615
01:32:02,580 --> 01:32:05,580
fiksiran na svoju strast

1616
01:32:05,580 --> 01:32:08,400
Taylorin glavni zvuk pomalo

1617
01:32:08,400 --> 01:32:11,699
drugačiji po svom izboru igra

1618
01:32:11,699 --> 01:32:15,620
i dalje vodi svoj put

1619
01:32:15,620 --> 01:32:21,360
slušaj tu bazu računa i Charlieja

1620
01:32:21,360 --> 01:32:24,540
Dosta pričam o ovome

1621
01:32:24,540 --> 01:32:27,239
album na mojoj drugoj juhi od kozje glave

1622
01:32:27,239 --> 01:32:30,139
dokumentarac

1623
01:32:40,230 --> 01:32:43,350
[Glazba]

1624
01:32:53,219 --> 01:32:54,840
o da

1625
01:32:54,840 --> 01:32:57,239
još uvijek na tri minute i otprilike

1626
01:32:57,239 --> 01:32:59,340
26 sekundi vremena

1627
01:32:59,340 --> 01:33:02,400
još uvijek nemaju dugo vremena

1628
01:33:02,400 --> 01:33:05,580
sada dolazimo do Nove ere s Ronniejem

1629
01:33:05,580 --> 01:33:09,719
La Forum 1975 kraj turneje po

1630
01:33:09,719 --> 01:33:11,639
Amerike

1631
01:33:11,639 --> 01:33:14,820
igraju Jumping Jack Flash drugi do

1632
01:33:14,820 --> 01:33:17,760
posljednji prije Sympathy for the Devil kao

1633
01:33:17,760 --> 01:33:20,480
Bis

1634
01:33:25,920 --> 01:33:28,920
hej

1635
01:33:32,850 --> 01:33:39,570
[Glazba]

1636
01:33:47,400 --> 01:33:51,360
to je La Forum isječak vidjeli smo Keitha

1637
01:33:51,360 --> 01:33:54,659
Nebesko ugađanje gitare i neki problemi

1638
01:33:54,659 --> 01:33:56,400
događa se

1639
01:33:56,400 --> 01:34:01,800
u početku se doista činio malo neusklađenim

1640
01:34:01,800 --> 01:34:02,740
danas

1641
01:34:02,740 --> 01:34:05,880
[pljesak]

1642
01:34:13,420 --> 01:34:16,499
[Glazba]

1643
01:34:16,860 --> 01:34:20,100
što je sjajno što Ronnie dodaje malo

1644
01:34:20,100 --> 01:34:21,420
od

1645
01:34:21,420 --> 01:34:25,679
studio cut vodi u pjesmi ali i

1646
01:34:25,679 --> 01:34:28,920
dodajući nešto od svog njuha

1647
01:34:28,920 --> 01:34:31,480
u svom stilu

1648
01:34:31,480 --> 01:34:34,540
[pljesak]

1649
01:34:43,060 --> 01:34:44,480
[pljesak]

1650
01:34:44,480 --> 01:34:48,300
Mick je posvuda s ovim velikim

1651
01:34:48,300 --> 01:34:52,040
pozornica njegova divna Lotus pozornica koju on

1652
01:34:52,040 --> 01:34:56,159
ostaje bez daha i njegovi tekstovi i

1653
01:34:56,159 --> 01:34:57,620
počinju njegove riječi

1654
01:34:57,620 --> 01:34:59,340
vukući malo

1655
01:34:59,340 --> 01:35:02,529
[Glazba]

1656
01:35:15,360 --> 01:35:18,360
stranim

1657
01:35:27,200 --> 01:35:30,470
[Glazba]

1658
01:35:33,620 --> 01:35:36,360
piercing vodi sa svim ostalim jam

1659
01:35:36,360 --> 01:35:38,280
i težak

1660
01:35:38,280 --> 01:35:40,139
ovo je gitaristički bend koji smo bili

1661
01:35:40,139 --> 01:35:42,780
čekaju ovu melodiju samo su

1662
01:35:42,780 --> 01:35:45,900
puštajući ga na slobodu

1663
01:35:45,900 --> 01:35:50,060
Charlie i Ollie su ga pokupili

1664
01:35:50,580 --> 01:35:54,060
i gurajući ga i gurajući sve da

1665
01:35:54,060 --> 01:35:56,900
druga razina

1666
01:35:57,200 --> 01:36:01,430
[Glazba]

1667
01:36:01,679 --> 01:36:02,640
oh

1668
01:36:02,640 --> 01:36:09,210
[Glazba]

1669
01:36:18,230 --> 01:36:23,859
[Glazba]

1670
01:36:24,120 --> 01:36:25,510
stranim

1671
01:36:25,510 --> 01:36:27,300
[Glazba]

1672
01:36:27,300 --> 01:36:30,540
pa ovo započinje duge verzije ovoga

1673
01:36:30,540 --> 01:36:33,060
jedan je bio na 8 minuta i 17

1674
01:36:33,060 --> 01:36:36,659
sekunde na koje je možda Mick želio produžiti

1675
01:36:36,659 --> 01:36:39,780
njegova teatralnost the water bucket dumping

1676
01:36:39,780 --> 01:36:43,139
i samo trčanje okolo i još Jaggera

1677
01:36:43,139 --> 01:36:44,580
skokovi

1678
01:36:44,580 --> 01:36:47,100
morate voljeti ovu verziju

1679
01:36:47,100 --> 01:36:51,020
ovo mi je baš zlato

1680
01:36:55,320 --> 01:36:57,800
oh

1681
01:37:01,290 --> 01:37:09,060
[Glazba]

1682
01:37:10,850 --> 01:37:13,959
[pljesak]

1683
01:37:24,480 --> 01:37:27,199
Ja idem

1684
01:37:31,760 --> 01:37:35,110
hvala laku noć laku noć

1685
01:37:35,110 --> 01:37:38,510
[pljesak]

1686
01:37:38,720 --> 01:37:45,719
[Glazba]

1687
01:37:57,320 --> 01:38:02,040
skočit ćemo na kombinaciju Elma iz 1977

1688
01:38:02,040 --> 01:38:03,420
pokazati

1689
01:38:03,420 --> 01:38:05,340
ova verzija bi mogla biti jedna od mojih

1690
01:38:05,340 --> 01:38:08,460
favoriti u trajanju od 5 minuta i 26 sekundi

1691
01:38:08,460 --> 01:38:11,760
zvuk na ovom je tako oštar i

1692
01:38:11,760 --> 01:38:14,580
Ronnie savršeno ulazi, igra nešto

1693
01:38:14,580 --> 01:38:17,520
glavnih uloga u zboru, ali ne u potpunosti

1694
01:38:17,520 --> 01:38:19,860
tu je još do studijskog albuma

1695
01:38:19,860 --> 01:38:22,050
dodajući svoj vlastiti njuh i dalje

1696
01:38:22,050 --> 01:38:25,249
[Glazba]

1697
01:38:32,699 --> 01:38:35,360
idemo

1698
01:38:36,240 --> 01:38:39,460
[pljesak]

1699
01:38:45,139 --> 01:38:48,320
u redu

1700
01:38:50,460 --> 01:38:52,440
zajedno

1701
01:38:52,440 --> 01:38:54,500
ponovo

1702
01:38:54,660 --> 01:38:57,760
[Glazba]

1703
01:39:21,090 --> 01:39:22,320
[Glazba]

1704
01:39:22,320 --> 01:39:25,139
slušaj Micka evo utopio sam se i

1705
01:39:25,139 --> 01:39:27,570
oprana

1706
01:39:27,570 --> 01:39:31,770
[Glazba]

1707
01:39:33,320 --> 01:39:36,320
ponovo

1708
01:39:38,060 --> 01:39:41,159
[Glazba]

1709
01:39:54,139 --> 01:39:57,900
Jednostavno volim posao svih koji ovdje mogu

1710
01:39:57,900 --> 01:40:00,420
samo sanjajte i zamišljajte vizualno na

1711
01:40:00,420 --> 01:40:02,940
ovaj napjev u interludiji do kojeg dolazimo

1712
01:40:02,940 --> 01:40:05,639
čuj Billyja i Stua

1713
01:40:05,639 --> 01:40:08,340
ali slušaj Ronnieja

1714
01:40:08,340 --> 01:40:11,880
lete ovamo i tako tijesno kao

1715
01:40:11,880 --> 01:40:13,860
Charlie trči kroz

1716
01:40:13,860 --> 01:40:17,219
ovaj vrijedi pustiti da se kotrlja i sve

1717
01:40:17,219 --> 01:40:18,920
doživjeti to

1718
01:40:18,920 --> 01:40:19,780
[Glazba]

1719
01:40:19,780 --> 01:40:22,859
[pljesak]

1720
01:41:04,600 --> 01:41:07,779
[Glazba]

1721
01:41:09,199 --> 01:41:12,260
u redu

1722
01:41:20,000 --> 01:41:23,170
[Glazba]

1723
01:41:23,280 --> 01:41:25,090
hvala puno

1724
01:41:25,090 --> 01:41:52,229
[pljesak]

1725
01:41:56,050 --> 01:41:59,119
[Glazba]

1726
01:42:00,960 --> 01:42:03,600
Ponavljam se na ovom sljedećem

1727
01:42:03,600 --> 01:42:08,100
verzija nekih djevojaka 1978 Texas

1728
01:42:08,100 --> 01:42:11,340
ali ovo je još jedna ubojita verzija

1729
01:42:11,340 --> 01:42:14,520
energija je iznad i izvan

1730
01:42:14,520 --> 01:42:18,060
Mick ima tu odvratnost u sebi

1731
01:42:18,060 --> 01:42:19,800
sirovi Rub

1732
01:42:19,800 --> 01:42:22,139
zapravo svi rade

1733
01:42:22,139 --> 01:42:24,780
Mick samo divlja

1734
01:42:24,780 --> 01:42:28,500
a njegov alter Mick izvođački ego je

1735
01:42:28,500 --> 01:42:31,020
leteći visoko

1736
01:42:31,020 --> 01:42:34,380
što je fora čujemo refren

1737
01:42:34,380 --> 01:42:38,520
Keitha i Ronnieja koji pjevaju

1738
01:42:38,520 --> 01:42:40,800
ako vas ovo ne pokreće prema

1739
01:42:40,800 --> 01:42:44,760
razumijevanje zašto su najveći

1740
01:42:44,760 --> 01:42:48,860
Ne znam provjeriti ti puls

1741
01:43:55,410 --> 01:43:57,480
[Glazba]

1742
01:43:57,480 --> 01:43:59,780
stranim

1743
01:44:16,680 --> 01:44:19,759
[Glazba]

1744
01:44:36,739 --> 01:44:39,719
verzije iz različitih gradova za

1745
01:44:39,719 --> 01:44:44,040
Jumping Jack Flash Seattle Kansas City

1746
01:44:44,040 --> 01:44:48,360
drugi vodi 25. srpnja koji se dogodio

1747
01:44:48,360 --> 01:44:50,460
biti Stewova posljednja emisija

1748
01:44:50,460 --> 01:44:53,460
onaj Hampton live je najbliži

1749
01:44:53,460 --> 01:44:56,820
najčišće meni najbolje

1750
01:44:56,820 --> 01:44:59,420
i odsvirana je kao zadnja pjesma

1751
01:44:59,420 --> 01:45:02,460
24. pjesma

1752
01:45:02,460 --> 01:45:05,340
Keith je na svojoj A-igri

1753
01:45:05,340 --> 01:45:08,540
oni se spajaju

1754
01:45:11,900 --> 01:45:12,150
[Glazba]

1755
01:45:12,150 --> 01:45:17,020
[pljesak]

1756
01:45:17,070 --> 01:45:20,330
[Glazba]

1757
01:45:27,690 --> 01:45:33,360
[Glazba]

1758
01:45:33,360 --> 01:45:34,020
[pljesak]

1759
01:45:34,020 --> 01:45:38,880
[Glazba]

1760
01:45:38,880 --> 01:45:40,310
zajedno

1761
01:45:40,310 --> 01:45:45,850
[Glazba]

1762
01:45:47,950 --> 01:45:51,160
[Glazba]

1763
01:46:00,840 --> 01:46:03,920
Moram ići

1764
01:46:04,800 --> 01:46:12,760
[Glazba]

1765
01:46:12,760 --> 01:46:13,200
[pljesak]

1766
01:46:13,200 --> 01:46:24,250
[Glazba]

1767
01:46:24,659 --> 01:46:27,179
Ronnie je ovdje vrlo blizu s

1768
01:46:27,179 --> 01:46:29,180
vodi samo jedan zvuk

1769
01:46:29,180 --> 01:46:30,540
[Glazba]

1770
01:46:30,540 --> 01:46:34,139
on ovo isprepliće kroz pekmez

1771
01:46:34,139 --> 01:46:37,020
imamo Micka

1772
01:46:37,020 --> 01:46:39,420
Mick u beraču trešanja da napravi ovo

1773
01:46:39,420 --> 01:46:42,119
jedan produžiti i ići duže

1774
01:46:42,119 --> 01:46:45,900
i više Ronnieja i Keitha koji pjevaju

1775
01:46:45,900 --> 01:46:47,219
sigurnosna kopija

1776
01:46:47,219 --> 01:46:49,810
je fenomenalan

1777
01:46:49,810 --> 01:46:50,200
[Glazba]

1778
01:46:50,200 --> 01:46:52,810
[pljesak]

1779
01:46:52,810 --> 01:47:10,180
[Glazba]

1780
01:47:11,460 --> 01:47:14,179
hvala vam

1781
01:47:19,739 --> 01:47:22,739
Keith je i ovdje imao neke od svojih tragova i

1782
01:47:22,739 --> 01:47:25,500
više Charliejevog lupanja

1783
01:47:25,500 --> 01:47:29,480
opet još jedna vrijedna točka gitarskog benda

1784
01:47:29,480 --> 01:47:33,360
ovaj je trajao osam minuta i 16

1785
01:47:33,360 --> 01:47:34,690
sekundi

1786
01:47:34,690 --> 01:47:37,770
[Glazba]

1787
01:47:38,850 --> 01:47:40,400
[pljesak]

1788
01:47:40,400 --> 01:47:42,760
[Glazba]

1789
01:47:42,760 --> 01:47:44,219
[pljesak]

1790
01:47:44,219 --> 01:47:45,860
stranim

1791
01:47:45,860 --> 01:47:48,870
[pljesak]

1792
01:47:48,870 --> 01:47:51,510
[Glazba]

1793
01:47:51,510 --> 01:47:51,680
[pljesak]

1794
01:47:51,680 --> 01:47:54,770
[Glazba]

1795
01:47:56,240 --> 01:47:57,440
[pljesak]

1796
01:47:57,440 --> 01:47:58,010
[Glazba]

1797
01:47:58,010 --> 01:47:59,590
[pljesak]

1798
01:47:59,590 --> 01:48:08,240
[Glazba]

1799
01:48:08,240 --> 01:48:08,860
[pljesak]

1800
01:48:08,860 --> 01:48:10,690
[Glazba]

1801
01:48:10,690 --> 01:48:14,800
[pljesak]

1802
01:48:16,980 --> 01:48:20,100
ima promjena u odnosu na prošla gostovanja

1803
01:48:20,100 --> 01:48:22,800
kad sviraju ovu pjesmu, mogao bi

1804
01:48:22,800 --> 01:48:25,139
vidjeti kada gledate video isječke

1805
01:48:25,139 --> 01:48:29,780
i sada čujete samu melodiju

1806
01:48:29,840 --> 01:48:34,080
1989 Atlantic City Steel Wheels i

1807
01:48:34,080 --> 01:48:35,940
obilazak urbane džungle

1808
01:48:35,940 --> 01:48:39,480
sada dirigira Chuck Lavelle

1809
01:48:39,480 --> 01:48:42,840
i mi sada dobivamo kamenje koje radi na

1810
01:48:42,840 --> 01:48:46,380
zvuči bliže singlu i dodavanju

1811
01:48:46,380 --> 01:48:47,980
rezervno pjevanje

1812
01:48:47,980 --> 01:48:50,280
[pljesak]

1813
01:48:50,280 --> 01:48:51,730
to je postalo posao

1814
01:48:51,730 --> 01:48:56,050
[pljesak]

1815
01:49:18,660 --> 01:49:26,540
[Glazba]

1816
01:49:45,060 --> 01:49:48,780
pjesma je sada proračunatija i čini

1817
01:49:48,780 --> 01:49:51,840
više popuniti potencijalne klijente

1818
01:49:51,840 --> 01:49:54,420
i mogli ste vidjeti da Mick ovo voli

1819
01:49:54,420 --> 01:49:57,119
izvesti ovu pjesmu

1820
01:49:57,119 --> 01:50:01,619
ali da, tu je stražnjica u usporedbi

1821
01:50:01,619 --> 01:50:04,560
do zadnjih turneja mix show je sada

1822
01:50:04,560 --> 01:50:08,400
manje Sirovo improvizirajmo to je

1823
01:50:08,400 --> 01:50:11,280
manje je ljut što pokazuje svoje

1824
01:50:11,280 --> 01:50:13,619
uvjetovanje kada trči sa strane na stranu a

1825
01:50:13,619 --> 01:50:15,600
puno

1826
01:50:15,600 --> 01:50:19,380
a njegova sada prezentacija je malo

1827
01:50:19,380 --> 01:50:21,800
drugačiji

1828
01:50:23,620 --> 01:50:26,699
[Glazba]

1829
01:50:28,940 --> 01:50:30,060
[Glazba]

1830
01:50:30,060 --> 01:50:32,820
nemojte me krivo shvatiti da ih vidim uživo

1831
01:50:32,820 --> 01:50:36,060
nikad ništa nije slično

1832
01:50:36,060 --> 01:50:39,239
uvijek je moćna samo usporedba

1833
01:50:39,239 --> 01:50:42,780
pjesme tijekom turneja

1834
01:50:42,780 --> 01:50:45,600
bend svira ovo i dalje je super

1835
01:50:45,600 --> 01:50:48,000
čuti trčanje na šest minuta 19

1836
01:50:48,000 --> 01:50:49,320
sekundi

1837
01:50:49,320 --> 01:50:51,719
ali s većim bendom

1838
01:50:51,719 --> 01:50:54,230
sada zvuči drugačije

1839
01:50:54,230 --> 01:50:57,650
[Glazba]

1840
01:51:16,920 --> 01:51:19,460
stranim

1841
01:51:50,180 --> 01:51:53,329
[Glazba]

1842
01:51:54,090 --> 01:52:03,000
[pljesak]

1843
01:52:03,000 --> 01:52:07,560
turneja, ali sada u Tokyo Dome 1990. I

1844
01:52:07,560 --> 01:52:10,270
svidjela mi se njegova verzija vrlo je uglađena

1845
01:52:10,270 --> 01:52:11,480
[Glazba]

1846
01:52:11,480 --> 01:52:13,700
[pljesak]

1847
01:52:13,700 --> 01:52:19,730
[Glazba]

1848
01:52:19,730 --> 01:52:22,830
[pljesak]

1849
01:52:26,220 --> 01:52:37,500
[Glazba]

1850
01:52:41,820 --> 01:52:44,820
stranim

1851
01:52:48,640 --> 01:52:56,630
[Glazba]

1852
01:53:03,199 --> 01:53:06,600
sad još bliže singlu

1853
01:53:06,600 --> 01:53:09,000
prigušeni ritam posebno u

1854
01:53:09,000 --> 01:53:11,460
početak, ali igra mnogo više od

1855
01:53:11,460 --> 01:53:13,980
bljeskalice

1856
01:53:13,980 --> 01:53:16,679
Keith je usredotočen na svoj ritam

1857
01:53:16,679 --> 01:53:20,040
i prateći vokal za refren

1858
01:53:20,040 --> 01:53:23,239
je eminentan

1859
01:53:29,710 --> 01:53:32,219
[Glazba]

1860
01:53:32,219 --> 01:53:35,580
Ronnie i Keith imaju prekrasne

1861
01:53:35,580 --> 01:53:36,960
dvoboja

1862
01:53:36,960 --> 01:53:39,420
i zato sam vjerojatno doista

1863
01:53:39,420 --> 01:53:41,699
poput ove verzije

1864
01:53:41,699 --> 01:53:44,280
opet radiš tkanje pa

1865
01:53:44,280 --> 01:53:47,280
prekrasno što čujemo Keitha s njegovim

1866
01:53:47,280 --> 01:53:50,480
patentirani vodi

1867
01:53:50,820 --> 01:53:57,200
[Glazba]

1868
01:53:58,880 --> 01:54:02,119
ja sam živa

1869
01:54:02,410 --> 01:54:05,689
[Glazba]

1870
01:54:10,600 --> 01:54:21,460
[Glazba]

1871
01:54:24,880 --> 01:54:34,920
[Glazba]

1872
01:54:34,920 --> 01:54:37,920
nevjerojatno

1873
01:54:38,940 --> 01:54:42,960
na neki način Mick produžuje pjesmu He's

1874
01:54:42,960 --> 01:54:45,540
pokazao svoju gimnastiku i preskakanje i

1875
01:54:45,540 --> 01:54:48,420
a sad s ovim većim pozornicama je

1876
01:54:48,420 --> 01:54:50,940
povezujući se sa cijelom publikom

1877
01:54:50,940 --> 01:54:52,860
više

1878
01:54:52,860 --> 01:54:56,159
i još uvijek vidim i osjećam njegov

1879
01:54:56,159 --> 01:54:59,219
strast za sviranjem ove melodije sada Mick

1880
01:54:59,219 --> 01:55:02,219
malo je sada imati oko 47 godina

1881
01:55:02,219 --> 01:55:05,699
lakši na Jaggerovim skokovima

1882
01:55:05,699 --> 01:55:09,060
Keith igra svoj rezultat u otvorenom G

1883
01:55:09,060 --> 01:55:12,119
osposobljen na četvrtom za ovo ide

1884
01:55:12,119 --> 01:55:16,260
šest minuta i 58 sekundi i izlili su

1885
01:55:16,260 --> 01:55:19,020
ovaj na

1886
01:55:19,020 --> 01:55:19,180
[Glazba]

1887
01:55:19,180 --> 01:55:24,470
[pljesak]

1888
01:55:24,470 --> 01:55:27,649
[Glazba]

1889
01:55:30,290 --> 01:55:33,409
[Glazba]

1890
01:55:38,610 --> 01:55:43,050
[Glazba]

1891
01:55:43,050 --> 01:55:47,280
[pljesak]

1892
01:55:47,280 --> 01:55:50,639
Dvojio sam se na koju se emisiju usredotočiti

1893
01:55:50,639 --> 01:55:54,719
Voodoo Lounge turneja 1995. bila je vruća

1894
01:55:54,719 --> 01:55:57,900
ovaj Tour u plamenu

1895
01:55:57,900 --> 01:56:01,020
Akademija Brixton 19. srpnja bila je a

1896
01:56:01,020 --> 01:56:03,719
odvratna predstava kao što su svi bili

1897
01:56:03,719 --> 01:56:06,420
upravo su igrali Wembley tjedan dana ili tako nešto

1898
01:56:06,420 --> 01:56:09,970
prije s Black Crowesima

1899
01:56:09,970 --> 01:56:13,260
[Glazba]

1900
01:56:13,260 --> 01:56:13,980
[pljesak]

1901
01:56:13,980 --> 01:56:16,580
[Glazba]

1902
01:56:16,580 --> 01:56:21,380
[pljesak]

1903
01:56:21,380 --> 01:56:26,329
[Glazba]

1904
01:56:28,159 --> 01:56:30,500
Ronnie je u početku pomalo izgubljen

1905
01:56:30,500 --> 01:56:36,980
tijekom stihova Keith je izvanredan

1906
01:56:38,940 --> 01:56:45,730
[pljesak]

1907
01:56:45,730 --> 01:56:48,520
[Glazba]

1908
01:56:48,520 --> 01:56:50,070
[pljesak]

1909
01:56:50,070 --> 01:56:55,859
[Glazba]

1910
01:56:57,659 --> 01:57:00,780
nema izgradnje ove turneje on je dobrodošao

1911
01:57:00,780 --> 01:57:02,940
Daryl

1912
01:57:02,940 --> 01:57:05,940
ipak kamenje zna ovo čuvati

1913
01:57:05,940 --> 01:57:08,820
grobnica ide intenzitet u ovom malom

1914
01:57:08,820 --> 01:57:12,000
mjesto dokazuje koliko ga daju

1915
01:57:12,000 --> 01:57:13,960
navijači

1916
01:57:13,960 --> 01:57:15,250
[pljesak]

1917
01:57:15,250 --> 01:57:20,160
[Glazba]

1918
01:57:20,530 --> 01:57:22,840
[pljesak]

1919
01:57:22,840 --> 01:57:25,800
[Glazba]

1920
01:57:25,800 --> 01:57:28,380
osjećaš upornost Daryl

1921
01:57:28,380 --> 01:57:31,199
divni Charlie samo vozi i

1922
01:57:31,199 --> 01:57:33,840
lupajući i nosi bend na svom

1923
01:57:33,840 --> 01:57:36,320
ramena

1924
01:57:38,340 --> 01:57:41,569
[Glazba]

1925
01:57:43,380 --> 01:57:45,800
jeste li vi dečki

1926
01:57:45,800 --> 01:57:45,960
[Glazba]

1927
01:57:45,960 --> 01:57:49,069
[pljesak]

1928
01:57:52,630 --> 01:57:59,279
[Glazba]

1929
01:58:05,370 --> 01:58:19,460
[Glazba]

1930
01:58:19,460 --> 01:58:21,780
[pljesak]

1931
01:58:21,780 --> 01:58:24,070
hvala vam

1932
01:58:24,070 --> 01:58:35,090
[Glazba]

1933
01:58:35,090 --> 01:58:36,550
[pljesak]

1934
01:58:36,550 --> 01:58:42,289
[Glazba]

1935
01:58:42,360 --> 01:58:46,080
a ovom su dodani rogovi i ti

1936
01:58:46,080 --> 01:58:47,639
sigurno čuti

1937
01:58:47,639 --> 01:58:50,940
orgulje na kraju i podloga

1938
01:58:50,940 --> 01:58:52,080
vokal

1939
01:58:52,080 --> 01:58:54,300
[Glazba]

1940
01:58:54,300 --> 01:58:57,480
ovaj je stigao na 4 minute i

1941
01:58:57,480 --> 01:58:59,010
58 sekundi

1942
01:58:59,010 --> 01:59:12,659
[Glazba]

1943
01:59:19,460 --> 01:59:22,590
[pljesak]

1944
01:59:24,410 --> 01:59:38,070
[Glazba]

1945
01:59:38,070 --> 01:59:41,160
[pljesak]

1946
01:59:41,780 --> 01:59:45,719
Turneja Bridges to Babylon iz 1998

1947
01:59:45,719 --> 01:59:47,840
pjesma je glasna

1948
01:59:47,840 --> 01:59:50,400
puna je

1949
01:59:50,400 --> 01:59:54,480
a gitara je dosta nabrijana

1950
01:59:54,480 --> 01:59:55,920
Mick

1951
01:59:55,920 --> 01:59:58,090
isprva naprijed i u sredini

1952
01:59:58,090 --> 02:00:05,779
[Glazba]

1953
02:00:16,950 --> 02:00:20,010
[Glazba]

1954
02:00:21,659 --> 02:00:24,840
postoji točka u kojoj Keith skače

1955
02:00:24,840 --> 02:00:28,080
pozornici hodati ispred njega

1956
02:00:28,080 --> 02:00:31,139
prestaje svirati i za taj vremenski razmak

1957
02:00:31,139 --> 02:00:32,699
čuješ

1958
02:00:32,699 --> 02:00:35,280
da mu je gitara nestala i kako

1959
02:00:35,280 --> 02:00:38,520
moćno je stvarno za pjesmu

1960
02:00:38,520 --> 02:00:42,260
kad se ne igra

1961
02:00:49,370 --> 02:00:52,510
[Glazba]

1962
02:00:59,460 --> 02:01:01,880
oh

1963
02:01:08,980 --> 02:01:12,000
[pljesak]

1964
02:01:12,000 --> 02:01:14,820
Mick počinje raditi s obožavateljima kao

1965
02:01:14,820 --> 02:01:17,940
jam goes on Keith je čuo puno više

1966
02:01:17,940 --> 02:01:20,159
nego Ronnie

1967
02:01:20,159 --> 02:01:22,860
koji glumi neke pojedinačne glavne uloge i

1968
02:01:22,860 --> 02:01:25,500
Charlie više ne mjeri vrijeme kao što je to radio

1969
02:01:25,500 --> 02:01:27,540
u prošlosti

1970
02:01:27,540 --> 02:01:31,500
ovaj dolazi na šest minuta 27

1971
02:01:31,500 --> 02:01:33,920
sekundi

1972
02:01:37,410 --> 02:01:40,550
[Glazba]

1973
02:01:53,570 --> 02:01:54,030
[pljesak]

1974
02:01:54,030 --> 02:01:57,149
[Glazba]

1975
02:02:07,270 --> 02:02:10,349
[pljesak]

1976
02:02:12,139 --> 02:02:16,260
2003. Madison Square Garden u New Yorku

1977
02:02:16,260 --> 02:02:18,119
lizao uživo

1978
02:02:18,119 --> 02:02:21,000
ovaj prikazuje Ronnieja koji to koristi

1979
02:02:21,000 --> 02:02:26,060
sitar gitara povrh sve te energije

1980
02:02:27,900 --> 02:02:30,380
je

1981
02:02:35,040 --> 02:02:35,780
desno

1982
02:02:35,780 --> 02:02:38,880
[Glazba]

1983
02:02:46,619 --> 02:02:47,360
sada

1984
02:02:47,360 --> 02:02:50,340
on svira jedan rif dosta na ovome

1985
02:02:50,340 --> 02:02:51,060
jedna

1986
02:02:51,060 --> 02:02:54,840
zajedno s nekoliko prekrasnih dvostrukih zaustavljanja

1987
02:02:54,840 --> 02:02:58,340
prenosi se snaga ove melodije

1988
02:02:58,340 --> 02:03:00,719
[Glazba]

1989
02:03:00,719 --> 02:03:04,619
ovo je Ronniejeva Dan Electro dječja sitarica

1990
02:03:04,619 --> 02:03:07,679
također se koristi za obojeno crno i

1991
02:03:07,679 --> 02:03:10,260
slatki borbeni čovjek bio je usamljen ovo

1992
02:03:10,260 --> 02:03:11,070
gitara

1993
02:03:11,070 --> 02:03:17,699
[Glazba]

1994
02:03:17,699 --> 02:03:20,760
sada ga dodajte slojevima zvuka i

1995
02:03:20,760 --> 02:03:25,679
prilično je zakopano je Blondiena akustika

1996
02:03:25,679 --> 02:03:28,199
dosta je rogova

1997
02:03:28,199 --> 02:03:32,159
ali Ronnie zaglavi svoje starije stilove

1998
02:03:32,159 --> 02:03:35,280
ovaj ide na 5 minuta i 46

1999
02:03:35,280 --> 02:03:36,020
sekundi

2000
02:03:36,020 --> 02:03:41,070
[Glazba]

2001
02:03:46,910 --> 02:03:50,250
[pljesak]

2002
02:03:54,000 --> 02:03:57,229
[pljesak]

2003
02:04:05,940 --> 02:04:10,580
[Glazba]

2004
02:04:10,580 --> 02:04:14,520
Turneja Beacon Theatre Bigger Bang iz 2006

2005
02:04:14,520 --> 02:04:18,380
ovaj je otvarač

2006
02:04:19,080 --> 02:04:21,599
Ipak imam dva problema

2007
02:04:21,599 --> 02:04:24,360
to je sa stilom snimanja

2008
02:04:24,360 --> 02:04:26,699
Ne mogu tako brzo osjetiti

2009
02:04:26,699 --> 02:04:29,820
pokret i stalni rezovi kamere

2010
02:04:29,820 --> 02:04:31,619
zatim

2011
02:04:31,619 --> 02:04:35,460
najgori dio je lažna publika

2012
02:04:35,460 --> 02:04:37,639
sprijeda

2013
02:04:41,340 --> 02:04:44,639
kad pomislim na ovo i vidim 63 god

2014
02:04:44,639 --> 02:04:48,119
stari miks Still rocking has gotta make you

2015
02:04:48,119 --> 02:04:49,370
osmijeh nevjerojatan

2016
02:04:49,370 --> 02:04:52,449
[Glazba]

2017
02:04:54,920 --> 02:04:56,700
hvala vam

2018
02:04:56,700 --> 02:04:59,800
[pljesak]

2019
02:05:03,080 --> 02:05:04,980
ja pravim

2020
02:05:04,980 --> 02:05:06,980
mene

2021
02:05:07,500 --> 02:05:09,719
[Glazba]

2022
02:05:09,719 --> 02:05:12,840
ovaj je na tri minute 55

2023
02:05:12,840 --> 02:05:15,719
sekundi puno kraće, ali još uvijek ometanje

2024
02:05:15,719 --> 02:05:18,320
na ovom

2025
02:05:19,260 --> 02:05:22,619
zvuk na ovome nije samo dobar nego

2026
02:05:22,619 --> 02:05:25,260
super je fantastično

2027
02:05:25,260 --> 02:05:28,860
ispred se čuju gitare i tako

2028
02:05:28,860 --> 02:05:29,820
jasno

2029
02:05:29,820 --> 02:05:32,710
i osjećate tu moć

2030
02:05:32,710 --> 02:05:35,930
[Glazba]

2031
02:05:36,780 --> 02:05:37,750
dobar

2032
02:05:37,750 --> 02:05:49,999
[Glazba]

2033
02:05:52,260 --> 02:05:54,980
jutro

2034
02:06:02,990 --> 02:06:14,119
[Glazba]

2035
02:06:16,739 --> 02:06:17,520
stranim

2036
02:06:17,520 --> 02:06:23,810
[Glazba]

2037
02:06:29,120 --> 02:06:42,410
[Glazba]

2038
02:06:42,410 --> 02:06:49,460
[pljesak]

2039
02:06:49,460 --> 02:06:52,689
[Glazba]

2040
02:06:54,139 --> 02:06:58,500
Hyde Park 15 računajući obilazak Great Sound

2041
02:06:58,500 --> 02:07:01,920
kako ti je dobro tamo

2042
02:07:01,920 --> 02:07:04,280
Ne vidim, ali znam da si lijepa

2043
02:07:04,280 --> 02:07:04,800
[Glazba]

2044
02:07:04,800 --> 02:07:10,220
[pljesak]

2045
02:07:10,220 --> 02:07:13,990
[Glazba]

2046
02:07:13,990 --> 02:07:16,550
[pljesak]

2047
02:07:16,550 --> 02:07:18,510
[Glazba]

2048
02:07:18,510 --> 02:07:19,300
[pljesak]

2049
02:07:19,300 --> 02:07:23,149
[Glazba]

2050
02:07:23,900 --> 02:07:25,220
Ja sam oko

2051
02:07:25,220 --> 02:07:43,120
[Glazba]

2052
02:07:44,599 --> 02:07:47,840
zajedno da

2053
02:07:47,840 --> 02:07:55,830
[Glazba]

2054
02:07:55,830 --> 02:07:58,949
[pljesak]

2055
02:07:59,290 --> 02:08:05,850
[Glazba]

2056
02:08:07,260 --> 02:08:09,659
bezubi

2057
02:08:09,659 --> 02:08:12,360
sada za ovu pjesmu koju slušamo

2058
02:08:12,360 --> 02:08:16,619
tempo je mnogo sporiji nego inače

2059
02:08:16,619 --> 02:08:18,960
čisto gitarsko tkanje s Ronniejem i

2060
02:08:18,960 --> 02:08:21,980
Keith na ovome

2061
02:08:23,260 --> 02:08:24,760
[pljesak]

2062
02:08:24,760 --> 02:08:31,850
[Glazba]

2063
02:08:34,739 --> 02:08:37,980
primjećujemo ovu Ronniejevu novu gitaru

2064
02:08:37,980 --> 02:08:42,480
svira stvarno super za dušu Raya 6

2065
02:08:42,480 --> 02:08:45,840
custom on posjeduje nekoliko električnih i

2066
02:08:45,840 --> 02:08:47,219
akustika

2067
02:08:47,219 --> 02:08:50,760
ovaj Roya model je vrhunski i to je

2068
02:08:50,760 --> 02:08:52,260
prilagođeno

2069
02:08:52,260 --> 02:08:58,199
izrađen je dizajniran 2006. ručno izrađen u

2070
02:08:58,199 --> 02:09:00,960
Prvotno je trebala ići u Finsku

2071
02:09:00,960 --> 02:09:03,420
Billyju Gibbonsu

2072
02:09:03,420 --> 02:09:06,540
Ronnie se zaljubio u ovo čvrsto tijelo

2073
02:09:06,540 --> 02:09:11,880
umjesto toga Billy će uslijediti godinu dana kasnije

2074
02:09:11,880 --> 02:09:15,659
ova gitara ima dva blizanca vintage izgleda

2075
02:09:15,659 --> 02:09:18,659
humbuckere koje je dizajnirao vlasnik versole

2076
02:09:18,659 --> 02:09:22,260
nije tipičan humbucker zvuk

2077
02:09:22,260 --> 02:09:25,500
prilagođena verzija košta dvadesetak

2078
02:09:25,500 --> 02:09:30,739
tisuća dolara ima zlatne listiće

2079
02:09:32,880 --> 02:09:34,800
nema puno toga

2080
02:09:34,800 --> 02:09:39,000
izolirani snimak Chucka Lavellea

2081
02:09:39,000 --> 02:09:41,940
koji je rock and roll plemić u mom

2082
02:09:41,940 --> 02:09:43,440
očima

2083
02:09:43,440 --> 02:09:46,080
i pravi je gospodin

2084
02:09:46,080 --> 02:09:47,940
i skriveni dragulj

2085
02:09:47,940 --> 02:09:51,000
s puno šarma on je bio taj koji je imao

2086
02:09:51,000 --> 02:09:54,179
kamenje se širi i zariva u svoje

2087
02:09:54,179 --> 02:09:57,060
arhive i izbiti ono što su mnogi htjeli

2088
02:09:57,060 --> 02:09:58,619
čuti

2089
02:09:58,619 --> 02:10:01,340
počeo je s njima u tetovaži U

2090
02:10:01,340 --> 02:10:05,639
Dio turneje iz 1982

2091
02:10:05,639 --> 02:10:09,239
jedina stvar kojoj se moram diviti kod Chucka

2092
02:10:09,239 --> 02:10:12,420
čak i više od njegove divne glazbe

2093
02:10:12,420 --> 02:10:15,780
njegova je strast prema ženi 45 plus

2094
02:10:15,780 --> 02:10:19,199
godine zajedno

2095
02:10:19,750 --> 02:10:26,220
[Glazba]

2096
02:10:26,220 --> 02:10:29,390
[pljesak]

2097
02:10:33,340 --> 02:10:40,739
[Glazba]

2098
02:10:40,739 --> 02:10:43,460
hvala vam

2099
02:10:44,690 --> 02:10:59,090
[Glazba]

2100
02:10:59,820 --> 02:11:02,920
[pljesak]

2101
02:11:05,800 --> 02:11:07,110
[pljesak]

2102
02:11:07,110 --> 02:11:08,560
[Glazba]

2103
02:11:08,560 --> 02:11:12,540
[pljesak]

2104
02:11:12,540 --> 02:11:16,940
Rolling Stone

2105
02:11:20,500 --> 02:11:24,720
[Glazba]

2106
02:11:30,720 --> 02:11:38,390
[Glazba]

2107
02:11:38,940 --> 02:11:42,440
kada su igrali s Havana Cuba 25. ožujka

2108
02:11:42,440 --> 02:11:45,420
2016. otvorili bi se

2109
02:11:45,420 --> 02:11:47,099
Bljesak

2110
02:11:47,099 --> 02:11:51,119
bio je to besplatan koncert na otvorenom

2111
02:11:51,119 --> 02:11:54,360
Mick je bio pun energije

2112
02:11:54,360 --> 02:11:57,480
to je još jedna sporija verzija i Keith

2113
02:11:57,480 --> 02:12:01,199
ima svijetloplavi broj i Ronnie koristi

2114
02:12:01,199 --> 02:12:04,800
ovaj isti versaille

2115
02:12:04,800 --> 02:12:08,520
prilično sada zvuk udžbenika i

2116
02:12:08,520 --> 02:12:09,900
stilovi

2117
02:12:09,900 --> 02:12:13,400
Mick se po pozornici kreće s jedne na drugu stranu

2118
02:12:13,400 --> 02:12:16,020
star 73 godine

2119
02:12:16,020 --> 02:12:18,420
blagoslovi ih sve

2120
02:12:18,420 --> 02:12:21,659
ovaj dolazi na 4 minute i 36

2121
02:12:21,659 --> 02:12:22,970
sekundi

2122
02:12:22,970 --> 02:12:24,739
[Glazba]

2123
02:12:24,739 --> 02:12:26,400
moj loš

2124
02:12:26,400 --> 02:12:29,620
[pljesak]

2125
02:12:32,940 --> 02:12:38,190
[Glazba]

2126
02:12:41,320 --> 02:12:44,520
[Glazba]

2127
02:12:50,790 --> 02:12:53,340
[Glazba]

2128
02:12:53,340 --> 02:12:56,439
[pljesak]

2129
02:13:00,360 --> 02:13:03,260
videa

2130
02:13:08,050 --> 02:13:11,189
[Glazba]

2131
02:13:15,420 --> 02:13:18,520
[Glazba]

2132
02:13:20,740 --> 02:13:25,520
[Glazba]

2133
02:13:27,630 --> 02:13:36,430
[Glazba]

2134
02:13:44,620 --> 02:13:46,170
[Glazba]

2135
02:13:46,170 --> 02:13:52,040
[pljesak]

2136
02:13:54,370 --> 02:13:56,500
[Glazba]

2137
02:13:56,500 --> 02:14:01,890
[pljesak]

2138
02:14:19,440 --> 02:14:22,139
a zadnja verzija koju imam uživo je iz

2139
02:14:22,139 --> 02:14:25,520
Stockholm Švedska 31. srpnja

2140
02:14:25,520 --> 02:14:29,400
2022. hvala Matt Lee Guinness

2141
02:14:29,400 --> 02:14:32,099
Kolekcionar svjetskih rekorda Rolling Stonesa

2142
02:14:32,099 --> 02:14:36,540
i autor knjige broj jedan dobiva a

2143
02:14:36,540 --> 02:14:39,300
stvarno dobra sjedala i

2144
02:14:39,300 --> 02:14:41,040
ovaj je

2145
02:14:41,040 --> 02:14:44,179
prilično jednostavno isto kao i prošli

2146
02:14:44,179 --> 02:14:47,960
Verzija turneje 2016

2147
02:14:47,960 --> 02:14:50,880
i Ronnie sa svojim versailleom i Keith

2148
02:14:50,880 --> 02:14:53,159
s njegovim plavim računom koji još uvijek ide s njim

2149
02:14:53,159 --> 02:14:55,579
to sada

2150
02:15:00,239 --> 02:15:03,420
Keithova knjiga koju dodaje kad dobiješ riff

2151
02:15:03,420 --> 02:15:06,360
poput bljeska dobivate osjećaj ushićenja

2152
02:15:06,360 --> 02:15:10,380
opaki Glee bend samo poleti

2153
02:15:10,380 --> 02:15:11,880
iza mene

2154
02:15:11,880 --> 02:15:14,579
ako zna odsvirati samo jedan svoj rif

2155
02:15:14,579 --> 02:15:16,199
ikada više

2156
02:15:16,199 --> 02:15:19,400
rekao bi daj mi meso

2157
02:15:19,400 --> 02:15:22,760
levitacija je vjerojatno najbliža

2158
02:15:22,760 --> 02:15:26,960
analogija onome što osjećam

2159
02:15:28,619 --> 02:15:31,260
Keith bi objasnio svoje osjećaje prema

2160
02:15:31,260 --> 02:15:35,040
ovu pjesmu i reci čim se javim

2161
02:15:35,040 --> 02:15:37,679
gitaru i odsviraj taj rif nešto

2162
02:15:37,679 --> 02:15:41,159
događa se ovdje u tvom želucu u koji ulazim

2163
02:15:41,159 --> 02:15:44,460
turbo overdrive jedan je od boljih

2164
02:15:44,460 --> 02:15:46,679
osjećaji u svijetu

2165
02:15:46,679 --> 02:15:50,099
samo skočiš na Riff i on svira

2166
02:15:50,099 --> 02:15:52,280
tebe

2167
02:15:54,119 --> 02:15:57,780
Keith smatra flash najboljom stvari

2168
02:15:57,780 --> 02:16:01,940
ikada radili s Jimmyjem Millerom

2169
02:16:03,000 --> 02:16:07,340
Mickey Keith ima 79 godina, Ronnie ima 74 godine.

2170
02:16:07,340 --> 02:16:12,960
još uvijek pokreće Jumping Jack Flash i mi

2171
02:16:12,960 --> 02:16:16,219
nadamo se da ćemo dobiti više

2172
02:16:18,000 --> 02:16:21,659
tako da u ovom trenutku osjećam da sam sigurno izložen

2173
02:16:21,659 --> 02:16:26,280
prave unutarnje dubine ove pjesme mi samo

2174
02:16:26,280 --> 02:16:28,860
svjedočio ovoj fantastičnoj pjesmi

2175
02:16:28,860 --> 02:16:31,940
i njegovu snagu

2176
02:16:38,280 --> 02:16:41,780
idemo

2177
02:17:09,359 --> 02:17:11,899
stranim

2178
02:17:45,230 --> 02:17:48,549
[pljesak]

2179
02:18:30,709 --> 02:18:32,700
[pljesak]

2180
02:18:32,700 --> 02:18:34,740
stranim

2181
02:18:34,740 --> 02:18:58,879
[pljesak]

2182
02:19:05,219 --> 02:19:29,299
[pljesak]

2183
02:19:34,019 --> 02:19:36,690
stranim

2184
02:19:36,690 --> 02:19:39,860
[pljesak]

2185
02:19:41,040 --> 02:19:43,700
stranim

2186
02:19:47,430 --> 02:20:38,329
[pljesak]

2187
02:20:39,840 --> 02:20:42,460
stranim

2188
02:20:42,460 --> 02:20:56,280
[pljesak]

2189
02:21:06,359 --> 02:21:08,600
stranim